Issue 99: Summer 2009

TV Urgente: Urban Exclusion, Civil Society, and the Politics of Television in Venezuela

By John Patrick Leary on December 17, 2009
Abstract: This essay explores the politics of representation in contemporary Venezuelan television, which in its mainstream forms has produced an urban imaginary that models national citizenship on the geographic, class, and racial divisions of the Venezuelan metropolis. The nation's airwaves have been a crucial theater of partisan class conflict in Venezuelan society since the election of President Hugo Chávez, a radical social democrat who has counted on the residents of the nation's huge urban slums, or barrios, as a major constituency. This study concentrates on the two major antagonists in this televisual battle by exploring their visual content and production methods in the context of the history of Caracas's barrios and the nation's television industry. On one side, Globovisión, a private cable news channel, commands the loyalty of the nation's middle-class anti-Chávez opposition; on the other, Catia TVe, a nonprofessional UHF station based in west Caracas's barrios, mobilizes its urban constituency with some state financing. The essay examines the different forms of political citizenship that these stations offer and explores how they complicate popular liberal notions of "civil society." It also reconsiders questions about the political role of mass media--to what extent are citizens manipulated as objects of the television media, and can they become subject-participants in their own representation? Finally, this study provides a critical examination of the formally innovative model of "alternative" media production that Catia TVe offers.

"Aqui no hay barrios" (There are no barrios here) was what real estate agents told me when they showed me apartments in one of the middle-class zones of eastern Caracas, to assure me that the slum districts that house roughly half of the city's population, called barrios in Venezuela, were safely distant. Shortly after I arrived in the country, a security official at the U.S. Embassy warned me never to travel into the slums. "The people there are so desperately poor," he insisted earnestly, "that they'll rob your shoes, your shirt, your eyeglasses, your belt -- and that's if you get out alive." The 

barrios are often identified in everyday conversations like these as a kind of cancer on the city, pouring bodies into and draining resources out of the valley of Caracas. Caracas's slums have been steadily growing since the 1950s, but in the 1990s, their population surged alongside the marginal quarters of Bogotá, Lima, and the other outsized metropolises of Latin America. But in Venezuela this constituency has succeeded in leveraging its local energies into a national political movement. In a country where over 85 percent of the population lives in cities, the radical social-democratic government of Hugo Chávez has counted largely on barrio residents for its 

base of support. The politics of media and journalism, moreover, have played a uniquely prominent role in the class conflict that has occupied Venezuelan society for the last six years. On both the right and left, the airwaves have become a critical theater in the political and social conflict of a divided nation. 



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