Issue 78: Spring 2004
Introduction: THE GENRES OF POSTCOLONIALISM
Abstract:
This issue gathers recent work in postcolonial criticism and theory. The
perspectives represented and contexts considered (South Africa, Canada,
the United States, India, Pakistan) are the result of an especial--and still
all-too-uncommon--effort to attend to scholarship produced in the global
South, rather than simply entrenching further the association of postcolonial
studies with a relatively narrow coterie of metropolitan migrants. At
the same time, in bringing together work engaged with subaltern studies
historiography in India (particularly the contributions of Sanjay Seth and
Rosinka Chaudhuri) and work explicitly concerned with U.S. imperialism
and contemporary globalization (particularly the contributions of Pius
Adesanmi and Mark Driscoll), the issue poses once more a question raised
by the last Social Text special issue on this topic--published in 1992, in
the wake of the first Gulf War--around the theorization of the postcolonial
itself.1 Vigorously questioned in that setting in now-classic essays by
Ella Shohat and Anne McClintock, the term postcolonial may have proven
itself to be most useful precisely when it is placed under severe pressure,
angled to highlight the necessarily uneasy relationship between colonial
past and neocolonial present, history writing and current critique, cultural
studies and political economy, as a task or problematic rather than a method
or map.2 In 1992 Shohat noted what she termed the "puzzling" absence
of the term postcolonial in the rhetoric of the academic opposition to the
Gulf War (in contrast to commonly invoked terms such as imperialism and
even neocolonialism). She wondered in response whether something about
the rubric of the postcolonial "does not lend itself to a geopolitical critique";
in the open-ended present of the "war on terror," the relative
invisibility of explicitly postcolonial analysis must beg the same question.3

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