Issue 100: Fall 2009

National Allegory

By Brian Larkin on October 30, 2009
Abstract: This paper examines the debate between Fredric Jameson and Aijaz Ahmad in articles that appeared in SOCIAL TEXT 15 (1986) and SOCIAL TEXT 17 (1987) over the status of national allegory in third-world literature. It argues that national allegory can be produced not from authorial intention but from the dynamic of circulation across cultural difference.

In January 2009, Amitabh Bachchan, the lion of Indian cinema, reacted on his blog to the increasing success of the film Slumdog Millionaire with a caution. Tapping into an anxiety about how India is represented abroad, he asserted, "If SM projects India as Third World dirty underbelly developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky under belly exists and thrives even in the most developed nations." Bachchan intensified a furious controversy both inside India and abroad over whether the film was a form of "poverty porn," whether it was Indian or not, and whether its representations showed real problems in India or a stereotype of poverty served up for foreign audiences.


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