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    <title>Living Autonomy Today</title>
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    <id>tag:www.socialtextjournal.org,2012:/reviews//11.1810</id>

    <published>2012-05-14T03:12:18Z</published>
    <updated>2012-05-14T03:47:35Z</updated>

    <summary>Thought follows action. A new precarious generation of cognitive workers knows this all too well, for their struggles trace the crumbling edifice of both the university and the global economy that increasingly depends on knowledge, affects, and information for its operations. If we begin with these struggles, we can dare to know much more about how our present circumstances are shaped by the knowledge economy.

               This is the provocative thesis of Gigi Roggero&apos;s The Production of Living Knowledge, part treatise on the changing role of the university in contemporary capitalism, and part manifesto for a movement to expropriate the expropriators of the present economy, to build up autonomous institutions that organize our commonwealth, and to set sail toward a new society.</summary>
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<p class="MsoNormal" style="margin-top:0in;margin-right:.5in;margin-bottom:0in;
margin-left:.5in;margin-bottom:.0001pt"><b><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white"><br /></span></b></p><p class="MsoNormal" style="margin-top:0in;margin-right:.5in;margin-bottom:0in;
margin-left:.5in;margin-bottom:.0001pt"><b><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white">Under Review:</span></b><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white">&nbsp;</span><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><br />
<span style="background:white">Gigi Roggero, <i style="mso-bidi-font-style:
normal">The Production of Living Knowledge: The Crisis of the University and
the Transformation of Labor in Europe and North America</i>. Temple University
Press: Philadelphia, PA, 2011. Translated by Enda Brophy.<o:p></o:p></span></span></p>

<p class="MsoNormal"><font class="Apple-style-span" face="'Times New Roman'"><br /></font></p><p class="MsoNormal" style="text-align: center;"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"><o:p><img alt="ProdLivingKnow.jpg" src="http://www.socialtextjournal.org/reviews/ProdLivingKnow.jpg" width="236" height="350" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></o:p></span></p>

<img alt="Knowledge_cover1.jpg" src="http://www.socialtextjournal.org/reviews/Knowledge_cover1.jpg" width="228" height="350" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><br /></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Thought follows action. A new
precarious generation of cognitive workers knows this all too well, for their
struggles trace the crumbling edifice of both the university and the global
economy that increasingly depends on knowledge, affects, and information for
its operations. If we begin with these struggles, we can dare to know much more
about how our present circumstances are shaped by the knowledge economy.</span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;This is the provocative thesis of Gigi
Roggero's <i style="mso-bidi-font-style:normal">The Production of Living
Knowledge</i>, part treatise on the changing role of the university in contemporary
capitalism, and part manifesto for a movement to expropriate the expropriators
of the present economy, to build up autonomous institutions that organize our
commonwealth, and to set sail toward a new society.</span></p><p class="MsoNormal"><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Roggero's first book to be translated into English is the
product of an extended, indeed nomadic, inquiry into transformations currently
besetting the "global" university. Interviews and case studies are based in the
U.S. and in his native Italy, but the book is hardly a comparative study. Instead,
it is a partisan critique of the university as organizational setting and
incubator for transnational processes undergirding a global knowledge-based
economy. Roggero's insights traverse national and academic borders far wider
than his field sites, and instead emanate from his affiliation with
Edu-Factory, a global research network, that explores struggles around
knowledge production in and beyond the university.<span class="MsoEndnoteReference"><span style="mso-special-character:footnote"><a style="mso-endnote-id:
edn" href="#_edn1" name="_ednref" title="">[i]</a></span></span></span></p><p class="MsoNormal"><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; But what does </span><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">it mean to think about the university
as an institutional setting within a far broader lens of knowledge production?</span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;background:white"> The point of
departure for his analysis is that the transformations in the university cannot
be understood apart from the global transformations in labor and capitalist
accumulation. </span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;">The book begins with the assertion that the university,
riven with crisis, is an increasingly central and open field of contestation
within a growing managerial, financialized, and marketized knowledge economy,
in which minds and bodies are pitched in battle to determine the contours of
autonomy and subordination in a new era of "cognitive capitalism." By
"cognitive capitalism," Roggero (along with many others who've debated this
term)<a style="mso-endnote-id:edn" href="#_edn2" name="_ednref" title=""><span class="MsoEndnoteReference"><span style="mso-special-character:footnote">[ii]</span></span></a>,
seeks to describe the planetary nature of labor and property in an era in which
knowledge, communication, and the circulation of information are commercially
appropriated and made the sources of capitalist value at an unprecedented
intensity. With the increasing centrality of knowledge in the production process,
the cognitive capacities of living labor and technology more and more become the
linchpin for the creation of wealth. As such, struggles in the circuits of
production become all the more concentrated on the conflictual terrain of what
Roggero terms <i style="mso-bidi-font-style:normal">living knowledge</i>, a concept
invoking Marx's notion of living labor that describes the objective and subjective
source of value in capital as well as the basis of its overcoming.</span></p>

<p class="MsoNormal" style="text-indent:.5in;mso-outline-level:1"><b style="mso-bidi-font-weight:normal"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">Cognitive Class Composition and Uneven
Development</span></b></p><p class="MsoNormal" style="text-indent:.5in;mso-outline-level:1"><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">Roggero maintains that the becoming
cognitive of labor ("cognitivization") is not limited to any one sector or
technical composition of workers and capital. Rather the concept is meant to
describe the new relations of production and exploitation within labor processes
that can be mapped all over the globe. Yet his analysis of cognitive capitalism
risks overshadowing the manifold relations of work essential to the expansion
of capital on a world-scale, i.e. the often-hidden continent of both waged and
unwaged work at the lowest technical composition in most of the world. Thus, while
"cognitive capitalism" describes relations of work and profit in relation to a
high development of technology (wherever these sectors may be in the world),
and concerns those workers whose experiences are most integrated into its
productive circuits, readers must tread carefully through the evocation of
"cognitive labor" throughout the book, which Roggero rightly describes as
"deeply ambivalent."<span class="MsoEndnoteReference"><span style="mso-special-character:
footnote"><a style="mso-endnote-id:edn" href="#_edn3" name="_ednref" title="">[iii]</a></span></span></span></p><p class="MsoNormal" style="text-indent:.5in;mso-outline-level:1"><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">The "cognitive" of contemporary capitalism
more accurately describes a paradigmatic shift, albeit far-reaching, in the
role of knowledge in the politics and composition of capital and labor. But it
is the ambivalence that surrounds these debates on cognitive labor that also
marks the potential impasse of this analysis. There are profound risks, reader
be warned, in imputing cognitive labor as the frontlines of capitalist
development (and consequently emphasizing its subversions as the frontlines of
class struggle). For instance, it all too easily reproduces in our analyses of
capitalism the very hierarchies and divisions of labor it is predicated upon. This
would be a continual disavowal of the internal dynamics by which capitalist
development is also a spatial-social process of underdevelopment. By elevating
one sector, whose relation to capital is mediated by the highest development of
technology, we risk losing sight of the unevenness and divisive exploitation
that undergirds the global organization of work. While the notion of cognitive
labor emphasizes commonalities in the way knowledge mediates relations of
productions across the world, it cannot adequately grasp the global unevenness
of capital-labor relations.<span style="mso-spacerun: yes">&nbsp;</span></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">We should read <i style="mso-bidi-font-style:
normal">The Production of Living Knowledge</i>, then, both with an eye to the
dynamism and revolutionary change that Roggero describes is sweeping this
aspect of capitalism, but also remain attentive to the permanence of the
waged-unwaged relation within the metamorphosis of the fundamental variables of
accumulation on a global scale. This requires grappling with the contemporary
international division of labor, even as its many borders are reorganized by
cycles of struggles, indeed through a militant understanding of these
reorganizations. <o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">Throughout the book, and particularly in
Chapter Two ("Coordinates of Capitalist Transition"), Roggero takes up the
fundamental problem of hierarchies, segmentation, and exclusion as they
enervate organizational attempts at autonomy. This is of crucial importance for
his compositional reading of cognitive capitalism, and indeed, is a
methodological tool that will be a weapon for any who seek to engage in
militant research as part of their political activisms. Yet, while Roggero is
keenly attuned to the problems of hierarchy--for example, where he discusses the
metropolis as a space for the "multiplication of labor" as both a form of
division and a space for struggle and transformation--there is also a tension
between the global dimensions of his analysis and the geographic uneveness of this
terrain.</span></p>

<p class="MsoNormal" style="text-indent:.5in"><b style="mso-bidi-font-weight:
normal"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;">Between
Precarity and Autonomy<o:p></o:p></span></b></p>

<p class="MsoNormal" style="text-indent:.5in"><b style="mso-bidi-font-weight:
normal"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><o:p>&nbsp;</o:p></span></b><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">The book aims not to advance theses on
cognitive capitalism, but rather to test its analytic reach in grasping the new
characteristics of contemporary capitalism in order to understand the fault
lines, tendency toward crisis, as well as struggles and subversions within. Roggero
frames this inquiry through a genealogical reading of past struggles and
ruptures that both imperiled the class compromise of Fordist-Keynesian
capitalism of the 1960s and 1970s and fueled its development to the present
flexible regime of accumulation. It is an historical eye to the period's myriad
refusals--of the time-space coordinates of a rigid and repetitive production rhythm
in the factory along with students' quest for autonomy from the apparatuses of
the mass university--that enables Roggero to view the "ambivalent genealogy" of
the new knowledge economy through the reorganization of contemporary cognitive
work into flexible and precarious labor.</span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-spacerun:
yes">&nbsp;</span>Both knowledge and precarity are key terms in the functioning
of the present university system, for they describe the processes and products
of devalued and hierarchized labor power according to the needs of
accumulation, as well as regimented and individualized access. Student debt is
central here, as is the dismantling of mass universities and other social
entitlements, and corporatization amidst the deterioriating social wage. Within
this troubled cauldron, one can see more clearly the political economy of
struggles against the standardization and securitization of schools, as well as
struggles for open access, free tuition, and the immediate organization of a
new university: not a "global" university that is complicit in the border
enforcements that prevent the full mobility of living knowledge, but a
"university without borders" organized for autonomy and self-determination. As
such, the question of political organization and transnational movement
building through translation of struggles is key to Roggero's discussion,
particularly in the closing chapters of the book.<o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">Having developed the conditions of
labor and production within the hypothesis of cognitive capitalism, Roggero's
emphasis on the <i style="mso-bidi-font-style:normal">common</i> (especially in
Chapter 5, "Borders and Lines of Flight") marks the double nature of
constituted sociality and cooperation as productive of capital as well as the plane
of antagonism and autonomy from it. A </span><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white">permanent and recurring crisis of accumulation marks this
term</span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;">, precisely due to changes in production and the new forms
of cognitive labor that have emerged in recent decades.</span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;background:white"> As </span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;">the
technical and social relations of knowledge production</span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;background:white"> increasingly rely on
a common that exceeds the organizing principles of private property, and as
accumulation is less and less based on providing the organizational setting for
social cooperation at the outset, capital is increasingly consigned to the role
of corralling and disciplining cognitive workers, endeavoring to extract surplus
value from their productivity in the form of monopolistic rent while
simultaneously restraining the excess that escapes capitalist codification. Capital
c</span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;">aptures
surplus value by controlling the manner in which self-organization is actuated,
in order to "permit the decomposition of command downstream, or after the
fact."<a style="mso-endnote-id:edn" href="#_edn4" name="_ednref" title=""><span class="MsoEndnoteReference"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[iv]<!--[endif]--></span></span></a><o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
background:white">Roggero emphasizes then the subjective conditions of these workers,
their relations, their forms of organization and life in contemporary
capitalism, that perennially exceed the limits of capital's disciplinary
measures and put it in crisis.</span><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;"> Viewed from this perspective, <i style="mso-bidi-font-style:normal">living knowledge</i>, the subjective and
always-in-struggle element in capitalist development, becomes a doubly
productive force, both for capital as well as potentially for itself. This is
the focal plane of conflicts and transformations in the field of knowledge constituted
by the struggle between capitalist capture, measurement, and valorization on
the one hand, and autonomy, cooperation, and self-valorization on the other. </span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;background:white">Thus Roggero brings
together two seeming disjunctures: the increasing self-organization of
knowledge work in the absence of formal organization, and the discipline and
control of this labor in other aspects of life, through debt and precarious
employment. That capital is reactive in relation to the dynamic conditions of
knowledge production, that it must separate cognitive workers from their
common--through the regime of salary and the political economy of knowledges--in
order to reproduce itself, is a suspension of the dynamic in which capital takes
initiative in the production process relative workers. The (always imperiled) adequacy
of governance in containing living knowledge is merely the flipside of the coin
of flexibility and the innumerable potential flight lines from this command. </span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">These are the political stakes for Roggero's
book and the reason for its ultimate focus on the condition of subjectivity in
the present context: the productive nature of subjectivity, its precariousness,
and its possibilities of becoming unlinked from capitalist relations are
entwined at the center of the project of becoming ungovernable and unmeasurable
viz. capitalist command and value. Reading various struggles in the
universities, Roggero sees the possible emergence of what he calls <i style="mso-bidi-font-style:normal">institutions of the common</i>, the
autonomous organization of living knowledge, the full-fledged cooperation and
sociality that is self-organized to both refuse exploitation and resist its
capture. This entails processes of de-hierarchization, reappropriations of
social wealth, and the dismantling of borders that enforce differential
inclusion in the knowledge economy. This also implies the possibility of
transforming the university from a site of capture and accumulation of profit to
a site of cooperation and shared autonomy. It is however a "plane of tension"
marked also by t</span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:
&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;background:white">he
role of discipline, austerity, debt, and borders in policing the "double
crisis"--that of the general capitalist economy and the university and the
mutual relations between the two. <o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">Roggero's approach, of asserting the
standpoint of workers' ability to put capital into crisis as bound to the
conditions of its development, has its precedents in the Italian workerists (<i style="mso-bidi-font-style:normal">Operaisti</i>), whose political arsenal of
heterodox Marxism evolved out of the protracted struggles in the 1960s and
1970s in Italy. Indeed, here as in elsewhere, Roggero has contributed
considerably to the translation of this arsenal into contemporary debates about
capitalism and class struggle.<a style="mso-endnote-id:edn" href="#_edn5" name="_ednref" title=""><span class="MsoEndnoteReference"><span style="mso-special-character:
footnote"><!--[if !supportFootnotes]-->[v]<!--[endif]--></span></span></a> The starting
point in <i style="mso-bidi-font-style:normal">The Production of Living
Knowledge</i> for analyzing the conditions of cognitive capitalism follow what Mario
Tronti in 1966 asserted about the "mass worker" of the Fordist factory: "At the
level of socially developed capital, capitalist development becomes
subordinated to working class struggles; it follows behind them, and they set
the pace to which the political mechanisms of capital's own reproduction must
be tuned."<a style="mso-endnote-id:edn" href="#_edn6" name="_ednref" title=""><span class="MsoEndnoteReference"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[vi]<!--[endif]--></span></span></a><o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">Readers will find ensconced in this
autonomist hypothesis Roggero's political approach to the research for the
book, which builds upon his mentor Romano Alquati's notion of <i style="mso-bidi-font-style:normal">conricerca, </i>or co-research. This is more
than just activist-research or research "from below." Roggero describes,
"either it was the organization of workers' autonomy, or it did not exist. [Alquati]
had no populist ideal of horizontalism: the prefix 'con' meant to question the
borders between the producti<a name="_GoBack"></a>on of knowledge and political
subjectivity, science and conflict. It was not simply a matter of knowledge but
the organization of a <i style="mso-bidi-font-style:normal">threat</i>. Conricerca
was working class science."<a style="mso-endnote-id:edn" href="#_edn7" name="_ednref" title=""><span class="MsoEndnoteReference"><span style="mso-special-character:
footnote"><!--[if !supportFootnotes]-->[vii]<!--[endif]--></span></span></a></span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;background:white"> <o:p></o:p></span></p>

<p class="MsoNormal" style="text-indent:.5in"><i style="mso-bidi-font-style:normal"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;">The
Production of Living Knowledge</span></i><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;"> extends the reach of this tradition
both in its decentering of knowledge and its reimagining of the metropoles of
knowledge production through the lens of postcolonial critique as well as its
incorporation of the experiences of a range of movement histories, from Black
Power and anti-colonialism, to contemporary migrant organizing and recent graduate
student campaigns.</span><span style="font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:
&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"> </span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;">This
constellation of political and methodological traditions affords Roggero a rare
force to his analysis that takes from the realities of past struggles (both
victories or defeats) the forward momentum of gathering steam without the fog
of nostalgia. With this the "history of the present" becomes all the more
illuminated by the non-linear and non-teleological ruptures of a multiplicity
of subjects who, in combination, conspire against the limits of capital.<span class="MsoEndnoteReference"><span style="mso-special-character:footnote"><a style="mso-endnote-id:edn" href="#_edn8" name="_ednref" title=""><!--[if !supportFootnotes]-->[viii]</a></span></span></span></p><p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span class="MsoEndnoteReference"><img alt="bookbloc.jpg" src="http://www.socialtextjournal.org/reviews/bookbloc.jpg" width="400" height="263" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></span></span></p>

<p class="MsoNormal" style="text-indent:.5in;mso-outline-level:1"><b style="mso-bidi-font-weight:normal"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">"Knowledge comes from the struggle"<o:p></o:p></span></b></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><o:p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</o:p></span></b><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">Above all, </span><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><i style="mso-bidi-font-style:
normal">The Production of Living Knowledge</i></span><span class="Apple-style-span" style="font-family: 'Times New Roman'; "> clarifies</span><span class="Apple-style-span" style="font-family: 'Times New Roman'; "><i style="mso-bidi-font-style:
normal"> </i></span><span class="Apple-style-span" style="font-family: 'Times New Roman'; ">many spectral issues and experiences signaled by the forms of
governance and capture of contemporary capitalism. The book is a critique of
the political economy of knowledge launched from the trenches of those whose
labor power is simultaneously caught within and exceeds the confines of
capitalist value. While Rogero makes this his central focus, he also offers
along the way innumerable references to a much larger body of autonomist
politics: for example, a politics of debt refusal, the autonomy of the common
amidst the crisis of the private and the public, of the temporal dimensions of
class struggle viewed from the perspective of workers, the fleeing from measure
and capitalist capture, and the issue of the state, welfare, and its
appropriation of our commonwealth. So too does he discuss the composition of
living knowledge within spatial coordinates no longer confined by a
center-periphery binary, but rather multiplied in the space-time of metropoles
across the planet, where life, profit, exploitation, and the division of labor
is organized. While this wrests the notion of cognitive capitalism from its
presumed Euro-centrism, it does not adequately address its co-presence with the
multiple regimes of labor that endure in most of the world.</span></p>

<p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;">Nevertheless, Roggero is a deeply
global thinker committed to the project of living autonomy from an inventive mix
of Operaismo and postcolonial thought (the mark of Chakrabarty's <i style="mso-bidi-font-style:normal">Provincializing </i>Europe is easily traced
throughout the text). With the translation and publication of Roggero's <i style="mso-bidi-font-style:normal">The Production of Living Knowledge, </i>the
value of Mario Tronti's classic dictum, "knowledge comes from the struggle" is rendered
contemporary and also doubled: it is a continuing testament to the role of
antagonism and conflict in the production of reality, but so too does it
describe the very struggles that produce living labor and knowledge today.</span></p><p class="MsoNormal" style="text-indent:.5in"><span style="font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;"><br /></span></p>

<p class="MsoNormal"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"><i>Malav Kanuga is a doctoral student in Anthropology at the
CUNY Graduate Center in New York, NY and editor of the publishing imprint&nbsp;</i></span><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><a href="http://www.commonnotions.org/"><i>Common Notions</i></a>.<o:p></o:p></span></p>

<p class="MsoNormal"><span style="font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"><o:p>&nbsp;</o:p></span></p><div style="mso-element:endnote-list">

<hr align="left" size="1" width="33%">

<!--[endif]-->

<div style="mso-element:endnote" id="edn">

<p class="MsoNormal"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn1" title=""><span class="MsoEndnoteReference"><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[i]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> The <a href="http://www.edu-factory.org/wp/">Edu-Factory website</a></span><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;">&nbsp;houses
its two webjournal issues (2011, 2010), the book <i style="mso-bidi-font-style:
normal">Toward a Global Autonomous University</i> (Autonomedia, 2009), and
archives of its transnational mailing list (2008, 2007). Interested readers can
find many entries that resonate with themes from Roggero's book. <o:p></o:p></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoNormal"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn2" title=""><span class="MsoEndnoteReference"><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[ii]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> See. e.g., two recent volumes:</span><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:
&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;color:#005195;
mso-font-kerning:18.0pt"> </span><span style="font-size:10.0pt;font-family:
&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;mso-bidi-font-weight:
bold">Peters, Michael A. / Bulut, Ergin<i style="mso-bidi-font-style:normal"> </i>(eds.)
<i style="mso-bidi-font-style:normal">Cognitive Capitalism, Education and
Digital Labor</i> (New York: Peter Lang)</span><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"> 2011;
and Yann Moulier Boutang, <i style="mso-bidi-font-style:normal">Cognitive
Capitalism </i>(New York and London: Polity) 2012. <o:p></o:p></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoEndnoteText"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn3" title=""><span class="MsoEndnoteReference"><span style="font-size:
10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[iii]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> <i style="mso-bidi-font-style:normal">Production of Living
Knowledge</i>, p.12<o:p></o:p></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoEndnoteText"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn4" title=""><span class="MsoEndnoteReference"><span style="font-size:
10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[iv]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> <i style="mso-bidi-font-style:normal">Ibid.</i>, p. 114<o:p></o:p></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn5" title=""><span class="MsoEndnoteReference"><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[v]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> See also Guido Borio, Francesca Pozzi, and Gigi Roggero,
Futuro anteriore: Dai "Quaderni Rossi" ai movimenti globali: Ricchezze e limiti
dell'operaismo Italiano (Rome: DeriveApprodi, 2002); Guido Borio, Francesca
Pozzi, and Gigi Roggero, eds., Gli operaisti (Rome: DeriveApprodi, 2005).<i style="mso-bidi-font-style:normal"><o:p></o:p></i></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoNormal"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn6" title=""><span class="MsoEndnoteReference"><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[vi]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> Mario Tronto, <i style="mso-bidi-font-style:normal">Operai
e Capitale </i><span style="mso-bidi-font-weight:bold">(1966; 2nd exp. ed.,
Turin: Einaudi,<o:p></o:p></span></span></p>

<p class="MsoNormal"><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;mso-bidi-font-weight:bold">1971), 89, as
quoted in <i style="mso-bidi-font-style:normal">Production of Living Knowledge</i>,
p. 6</span><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;"><o:p></o:p></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoNormal"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn7" title=""><span class="MsoEndnoteReference"><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[vii]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> Gigi Roggero "<a href="http://www.edu-factory.org/edu15/index.php?option=com_content&amp;view=article&amp;id=320:operaist-freedom-for-romano-alquati&amp;catid=38:documentation&amp;Itemid=56">Operaist Freedom -- For Romano Alquati</a></span><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;">" on Edu-Factory, April 7, 2010 (translation by Silvia Federici),
emphasis added.<o:p></o:p></span></p>

</div>

<div style="mso-element:endnote" id="edn">

<p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><a style="mso-endnote-id:edn" href="#_ednref" name="_edn8" title=""><span class="MsoEndnoteReference"><span style="font-size:10.0pt;
font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;"><span style="mso-special-character:footnote"><!--[if !supportFootnotes]-->[viii]<!--[endif]--></span></span></span></a><span style="font-size:10.0pt;font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:
&quot;Times New Roman&quot;"> See Jason Read, The Micro-Politics of Capital: Marx and the
Prehistory of the Present (Albany: State University of New York Press, 2003).<o:p></o:p></span></p>

</div>

</div>

<!--EndFragment--> ]]>
        
    </content>
</entry>

<entry>
    <title>May Day Reborn!</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/05/may-day-reborn.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1809</id>

    <published>2012-05-03T21:18:27Z</published>
    <updated>2012-05-03T21:44:32Z</updated>

    <summary>The Occupy Movement has revived May Day. For far too many years, this holiday, which was of course also a solidarity-building occasion, has been ignored by the US labor movement. Ironic, given the fact that May Day actually began in the US.</summary>
    <author>
        <name>Ashley Dawson</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=8</uri>
    </author>
    
        <category term="Dispatches from an Occupation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Politics and Activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="mayday" label="may day" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nypd" label="nypd" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ows" label="ows" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[ <div><br /></div><div><i>Re-posted from&nbsp;<a href="http://ashleydawson.info/blog/">http://ashleydawson.info/blog/</a>.</i></div><div><br /></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">The Occupy Movement has revived May Day. For far too many years, this holiday, which was of course also a solidarity-building occasion, has been ignored by the US labor movement. Ironic, given the fact that May Day actually began in the US.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Here's a bit of the history behind May Day. In 1884, militant unions in the US declared that eight hours would constitute a legal day's work beginning on May 1, 1886. When workers went on strike at a factory in Chicago on May 3, 1886, police fired into the peacefully assembled crowd, killing four and wounding many others. The workers movement called for a mass rally the next day in Haymarket Square to protest this brutality. The rally proceeded peacefully until the end when 180 police officers entered the square and ordered the crowd to disperse. At that point, someone threw a bomb, killing one police officer and wounding 70 others. The police responded by firing into the crowd, killing one and injuring many others.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Following the Haymarket Affair, eight of the city's most active unionists were charged with conspiracy to commit murder even though only one was actually present at the meeting. All eight were found guilty and sentenced to death. Commemoration of this day and the outrages against justice that followed quickly became an key element of the international struggle for worker's rights.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">In 1904, the International Socialist Congress called on "all Social Democratic Party organizations and trade unions of all countries to demonstrate energetically on May First for the legal establishment of the 8-hour day, for the class demands of the proletariat, and for universal peace." The congress made it "mandatory upon the proletarian organizations of all countries to stop work on May 1, wherever it is possible without injury to the workers."</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Why was May Day not celebrated in the US? In a demonstration of the complicit nature of segments of the US labor movement, the Knights of Labor (a racially exclusionary organization) caved in to the demand of President Grover Cleveland that the Haymarket Massacre would not be commemorated on May Day. So we now have a state-sanctioned and relatively toothless Labor Day in early September.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Yesterday Occupy revived the suppressed tradition of May Day on a joyous celebration of solidarity and outrage. The day started out for me with brilliant talks offered in Madison Square Park by folks like David Harvey, Frances Fox Piven, Andrew Ross, Drucilla Cornell. The Free University provided a great space to listen to debates about a series of key issues, from the right to the city, to student loans and debt, to the history of the labor movement.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">From the Free University we marched down to Union Square, where more speakers and music were on offer. The entire park gradually got jam packed with people. This was a great opportunity to hang out with friends and make connections with activists from a variety of different organizations and walks of life. It was also a moment to revel in the carnivalesque spirit of the Occupy movement. Here are some photos that I think conjure up a sense of the celebratory atmosphere in Union Square:</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><img alt="dawson1.jpg" src="http://www.socialtextjournal.org/blog/dawson1.jpg" width="262" height="350" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><img alt="dawson2.jpg" src="http://www.socialtextjournal.org/blog/dawson2.jpg" width="350" height="261" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p></span><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><img alt="dawson3.jpg" src="http://www.socialtextjournal.org/blog/dawson3.jpg" width="350" height="261" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><img alt="dawson5.jpg" src="http://www.socialtextjournal.org/blog/dawson5.jpg" width="262" height="350" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><img alt="dawson6.jpg" src="http://www.socialtextjournal.org/blog/dawson6.jpg" width="350" height="261" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; ">Unfortunately, all was not wine and roses. The police refused to allow us to march out of Union Square. As this image&nbsp;<a href="http://ashleyjdawson.files.wordpress.com/2012/05/img_15501.jpg" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img class="alignright size-medium wp-image-1607" title="IMG_1550" src="http://ashleyjdawson.files.wordpress.com/2012/05/img_15501.jpg?w=300&amp;h=224" alt="" width="300" height="224" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; margin-bottom: 2px; display: inline; float: right; margin-left: 7px; height: auto; max-width: 100%; " /></a>makes clear, they set up steel cattle pens in order to box marchers in, and then arbitrarily blocked off exist from these pens when it was time to march. Most of the demonstrators around me, seasoned protesters all, told me that this was in order to demonstrate the police's power over us rather than to preserve our safety during the march. In fact, once they eventually let us out of the cattle pens, instead of allowing us to march directly down Broadway, where the march had been permitted, the police instead directed us down W. 17th street to 6th Avenue, so that we had to walk through the middle of traffic. This was obviously not a safe situation. Police officers then lined the street and tried to force us onto the sidewalk, despite the fact that our march was permitted. Tempers quickly frayed, and it looked like things were not going to go well. A friend of mine was violently pushed into a pile of garbage on a sidewalk by a group of police when he challenged their attempt to force us onto the sidewalk. Thankfully, we eventually got back to Broadway and the rest of the march proceeded in a jubilant spirit.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><span class="Apple-style-span" style="font-style: inherit; ">Not surprisingly, mainstream media coverage latched onto the scuffles and arrests that resulted from the police kettling strategies rather than focusing on the joyous and constructive spirit of the rest of the day. </span><span class="Apple-style-span" style="font-style: inherit; "><a href="http://www.nytimes.com/2012/05/02/nyregion/may-day-demonstrations-lead-to-clashes-and-arrests.html?_r=1">This article in the </a></span><i><a href="http://www.nytimes.com/2012/05/02/nyregion/may-day-demonstrations-lead-to-clashes-and-arrests.html?_r=1">New York Times</a></i><span class="Apple-style-span" style="font-style: inherit;"><a href="http://www.nytimes.com/2012/05/02/nyregion/may-day-demonstrations-lead-to-clashes-and-arrests.html?_r=1"> is typical of such a jaundiced approach</a>.&nbsp;Luckily, though, there are other sources of information and reflection about the events of yesterday, <a href="http://www.democracynow.org/2012/5/2/may_day_protests_span_the_globe">including this excellent coverage on </a></span><i><a href="http://www.democracynow.org/2012/5/2/may_day_protests_span_the_globe">Democracy Now</a></i><span class="Apple-style-span" style="font-style: inherit;"><a href="http://www.democracynow.org/2012/5/2/may_day_protests_span_the_globe">, which highlights the international dimensions of the protest</a>.</span></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; ">It was an undeniably great day for radical activism and for the movement for global justice. That said, this May Day was more of a celebration of our collective and potential powers than a real General Strike (which is what many Occupy activists had called for). Much work remains to be done before the dispersed powers of the movement can be collected into a force capable of doing real damage to capital, let alone giving birth to a new world.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; ">But although such skeptical assessments are perhaps necessary, they should not overwhelm the joy of the day. I'll close therefore close this post with some video clips that capture the ridiculously creative energies unleashed by the movement. First of all, here's a bit of fancy footwork and wonderful brass music from the Rude Mechanical Orchestra:</p></div><iframe width="560" height="315" src="http://www.youtube.com/embed/4diYc4zodRQ" frameborder="0" allowfullscreen=""></iframe><div><br /></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; ">And here, to remind us of the history of Union Square and to challenge the Christian evangelical movement on its own terrain, is the Reverend Billy and the Stop Shopping Gospel Choir:</span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><br /></span></div><iframe width="560" height="315" src="http://www.youtube.com/embed/Ts1MIugwrwY" frameborder="0" allowfullscreen=""></iframe><div><br /></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; ">Last of all, here, once again, is the Rude Mechanical Orchestra, performing the uproarious&nbsp;<em style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: italic; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Smash the Banks Polka</em>:</span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><br /></span></div><iframe width="420" height="315" src="http://www.youtube.com/embed/rWblaJHLrJo" frameborder="0" allowfullscreen=""></iframe><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Labor Day Manifestation sa Maynila</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/05/labor-day-manifestation.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1808</id>

    <published>2012-05-02T21:40:36Z</published>
    <updated>2012-05-03T15:38:23Z</updated>

    <summary>It was and remains a great inspiration to have participated in yesterday&apos;s Labor Day rally in Manila. Along with the electrifying militancy of a large number of leftist organizations including unions, political parties, campus activists, national activists, women&apos;s advocacy groups...</summary>
    <author>
        <name>Jonathan Beller</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=380</uri>
    </author>
    
        <category term="Politics and Activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="labor" label="labor" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="philippines" label="Philippines" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="power" label="power" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[<div><br /></div><div>It was and remains a great inspiration to have participated in yesterday's Labor Day rally in Manila. Along with the electrifying militancy of a large number of leftist organizations including unions, political parties, campus activists, national activists, women's advocacy groups and many many others, came that welling feeling of solidarity, goodwill, humility and love. There is so much to respect in peoples' lives and struggles! And so much Power in the mobilizations called forth by the compelling dignity of the seemingly endless fights for justice. Not Power in the simplistic sense, or in the mechanistic, bio-political sense. The mobilization synthesized and indeed materialized a libidinal and moreover an aesthetic experience -- a reality of our own making -- at once ephemeral and enduring.</div><div><br /></div><div><img alt="beller1.jpg" src="http://www.socialtextjournal.org/blog/beller1.jpg" width="375" height="281" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></div><div><img alt="beller3.jpg" src="http://www.socialtextjournal.org/blog/beller3.jpg" width="375" height="281" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></div><div>Diversity of demands and creativity of approaches were everywhere present. Among the demands: the call for a 125 peso increase in the daily minimum wage ($3 U.S., which was rejected outright by Philippine President Aquino on the same day), the demand to "Junk the Visiting Forces Agreement" (which, even after the elimination of the bases allows US military personnel privileges and exceptions under Philippine law), the demand to "Stop rape and killing of Women / U.S. troops out of the Philippines" (currently countered by the beefing up of U.S. forces over the Scarborough shoals conflict with China over fishing rights and oil reserves), and other injunctions, exhortations, and informative slogans: "Stop killing peasants / who feed the nation," "Sahod, trabaho, karapatan / ipaglaban" (struggle for salary, work and rights) "Tuta ng kano / kapitalista at hacendero / Noynoy" (Aquino: capitalist, hacendero and America's dog). All along our march through the streets of Manila were posters, signs, indictments, chants, and songs culminating at Mendiola in music, a huge mural by social realist Orlando Castillo, a whirlwind of red flags, and the burning of an effigy of the president. The symbolic destruction of the existing state was a clear expression of the hope that current hardship, high prices, low wages, meager livings, inequalities, extrajudicial killings of organizers, squatters, peasants, and activists, and the continuing and often intensifying oppressions of colonial feudalism, imperialist capitalism, heteronormative patriarchy under the guise of business as usual could be brought to a halt. The gesture of incinerating the existing state also pointed a way forward. Palpable in the smoke and flames, in the songs and chants, in the raised fists, signs and bodies, was the textured, nuanced and abiding reality of lives, struggles, aspirations and solidarities almost unrepresentable in mainstream media. This is the Power I referred to earlier - a living, communal constellation of complex, intelligent, fair-minded civic interests most days rendered indecipherable and at times inaccessible by mass media's atomizing officiating of hegemony passed off as reality As if only mobilization and manifestation of struggle were, for the moment at least, really capable of displacing the reactionary capture and expropriation of peoples' collective will.</div><div><br /></div><div><img alt="beller2.jpg" src="http://www.socialtextjournal.org/blog/beller2.jpg" width="375" height="281" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></div><div>The generosity, openness and community of thousands of persons, some few of whom I met that day and some fewer of whom have been my interlocutors, companions, friends and, to my eternal gratitude, teachers for almost two decades already made this day particularly memorable for me. There was the energy of large groups and the intensity of the individual exchanges while marching. The jokes, stories, intimacies, denunciations, tales of atrocities, political strategy discussions, recountings of police and military violence, re-enactments of conversations, remembrances of bathrooms or the lack thereof in the cordilleras, the banter, the sward speak, the rallying cries all serve to remind those of us who might need reminding that not only is another world possible, another world exists!&nbsp;</div><div><br /></div><div><img alt="beller5.jpg" src="http://www.socialtextjournal.org/blog/beller5.jpg" width="280" height="373" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></div><div>It is from this world erupting in songs and flames, and the hundreds if not thousands like it that the future must come - that is, if some of us are to have a future at all. Not a day of rest, Labor Day in Manila was a demonstration of the profoundly necessary labor of realizing worlds that live not on the myriad capitalizing screens but in the streets, fields, factories, brains, hearts and imaginations of our actually existing body-politic. It is the making these worlds manifest that should inform our work.</div><div><br /></div><div><div>&nbsp;--Jonathan Beller, Manila, May 2, 2012</div></div><div><br /></div><div><br /></div> ]]>
        
    </content>
</entry>

<entry>
    <title>Beyond Biopolitics: The Governance of Life and Death</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2012/05/beyond-biopolitics-the-governance-of-life-and-death.php" />
    <id>tag:www.socialtextjournal.org,2012:/events//12.1807</id>

    <published>2012-05-02T21:29:33Z</published>
    <updated>2012-05-02T21:35:01Z</updated>

    <summary>May 4, 2012, 5:00pm | The James Gallery, CUNY Graduate Center
Under the auspices of neoliberalism, technical systems of compliance and efficiency have come to underwrite a biopolitics of war, terror, and surveillance. On the occasion of the publication of Beyond Biopolitics: Essays on the Governance of Life and Death, join an international panel of distinguished critical theorists, first convened at the Graduate Center in 2006, to discuss the value of the concept of biopolitics in addressing issues of governance and economy from the latter decades of the twentieth century to current geopolitical conditions of life and death.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
        <category term="New York" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[<span class="Apple-style-span" style="color: rgb(93, 93, 104); font-family: Arial, 'MS Trebuchet', sans-serif; line-height: 16px; "><h3 class="text-style-4 meta-pre" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 12px; font: inherit; vertical-align: baseline; font-weight: 900; line-height: 14px; "><span class="date-display-single" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 12px; font: inherit; vertical-align: baseline; "><br /></span></h3><h3 class="text-style-4 meta-pre" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 12px; font: inherit; vertical-align: baseline; font-weight: 900; line-height: 14px; "><span class="date-display-single" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 12px; font: inherit; vertical-align: baseline; ">May 4, 2012, 5:00pm</span><span class="sep" style="margin-top: 0px; margin-right: 2px; margin-bottom: -1px; margin-left: 2px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 100; ">&nbsp;|&nbsp;</span>The James Gallery, CUNY Graduate Center</h3><div><br /></div></span><span class="Apple-style-span" style="color: rgb(93, 93, 104); font-family: Arial, 'MS Trebuchet', sans-serif; font-size: 14px; line-height: 18px; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; ">Under the auspices of neoliberalism, technical systems of compliance and efficiency have come to underwrite a biopolitics of war, terror, and surveillance. On the occasion of the publication of&nbsp;<em style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-style: italic; ">Beyond Biopolitics: Essays on the Governance of Life and Death</em>, join an international panel of distinguished critical theorists, first convened at the Graduate Center in 2006, to discuss the value of the concept of biopolitics in addressing issues of governance and economy from the latter decades of the twentieth century to current geopolitical conditions of life and death.</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; "><strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">5:00pm,</strong>&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Lecture:</strong>&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Luciana Parisi</strong>&nbsp;(Centre for Cultural Studies, Goldsmiths College, University of London).</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; "><strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">6:30pm,</strong>&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Roundtable:</strong>&nbsp;&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Patricia T. Clough</strong>&nbsp;(Sociology and Women's Studies, The Graduate Center, CUNY);&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Craig Willse</strong>&nbsp;(Sociology and Anthropology, College of Wooster);<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Jasbir Puar</strong>&nbsp;(Women's &amp; Gender Studies, Rutgers University);<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Una Chung</strong>&nbsp;(Global Studies, Sarah Lawrence);&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Randy Martin</strong>(Art and Public Policy, NYU);&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Eugene Thacker</strong>&nbsp;(Media Studies, The New School); and&nbsp;<strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-weight: 900; ">Luciana Parisi</strong>&nbsp;(Centre for Cultural Studies, Goldsmiths College, University of London).</p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; "><em style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 14px; font: inherit; vertical-align: baseline; font-style: italic; ">Co-sponsored by the POLICED Seminar, The Life of Things Seminar, PhD program in Sociology, and Certificate Program in Women's Studies.</em></p></span> ]]>
        
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</entry>

<entry>
    <title>Maypole</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/05/maypole.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1806</id>

    <published>2012-05-02T04:57:58Z</published>
    <updated>2012-05-02T05:02:30Z</updated>

    <summary>Snapshot from May Day demonstration in New York&apos;s Union Square.</summary>
    <author>
        <name>Tavia Nyong&apos;o</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=3</uri>
    </author>
    
        <category term="Postcards" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ows" label="#ows" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="generalstrike" label="general strike" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mayday" label="may day" scheme="http://www.sixapart.com/ns/types#tag" />
    
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<entry>
    <title>May Day Event Guide</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2012/04/may-day-event-guide.php" />
    <id>tag:www.socialtextjournal.org,2012:/events//12.1805</id>

    <published>2012-04-30T01:38:12Z</published>
    <updated>2012-05-02T21:34:29Z</updated>

    <summary>This Tuesday is May Day. It&apos;s going to be an amazing day around New York. From art and music in the streets, to a free university in Madison Square Park with lectures by David Harvey and others, to a &quot;guitarmy&quot; over 1000 strong with Rage Against the Machine&apos;s Tom Morello leading the way, to a Brooklyn high school strike in Fort Greene park, to an unprecedented coalition of immigrant justice, unions, and occupy groups marching together, we have injustices to decry and our own power to celebrate. Click here for a list of events.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
        <category term="New York" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ows" label="ows" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<div><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><br /></span></div><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">This Tuesday is May Day. It's going to be an amazing day around New York. From art and music in the streets, to a free university in Madison Square Park with lectures by David Harvey and others, to a "guitarmy" over 1000 strong with Rage Against the Machine's Tom Morello leading the way, to a Brooklyn high school strike in Fort Greene park, to an unprecedented coalition of immigrant justice, unions, and occupy groups marching together, we have injustices to decry and our own power to celebrate. This is a partial list of information for the day, so you can think about how you might want to plug in, if you do</span><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">.&nbsp;</span><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">And, most importantly,&nbsp;<i>spread the word!</i></b><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">&nbsp;If you are not in New York City, please still post to facebook, forward to NYC friends, etc.&nbsp;</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><br />-- Hannah Chadeayne Appel<div><br style="background-color: rgba(255, 255, 255, 0.917969); " /><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">Useful websites:</b><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><a href="http://maydaynyc.org/" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">http://maydaynyc.org/</a><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><a href="http://maydaysolidarity2012.org/" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">http://maydaysolidarity2012.<wbr>org/</a><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><a href="http://call2create.org/" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">http://call2create.org/</a><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">NLG Know Your Rights documents: &nbsp;<div style="display: inline !important; "><a href="http://nlgnyc.org/resources/know-your-rights-information/" target="_blank" style="color: rgb(17, 85, 204); ">http://nlgnyc.org/resources/<wbr>know-your-rights-information/</a></div></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">New York Civil Liberties Union phone number:&nbsp;<a href="tel:212-607-3300" value="+12126073300" target="_blank" style="color: rgb(17, 85, 204); ">212-607-3300</a><br />NYCLU Know Your Rights documents:&nbsp;<a href="http://www.nyclu.org/publications/palm-card-know-your-rights-demonstrating-new-york-city-2011" target="_blank" style="color: rgb(17, 85, 204); ">http://www.nyclu.<wbr>org/publications/palm-card-<wbr>know-your-rights-<wbr>demonstrating-new-york-city-<wbr>2011</a></div><a href="http://www.nyclu.org/publications/palm-card-know-your-rights-demonstrating-new-york-city-2011" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "></a><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">Various Events:</b><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><u style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><b>(1) 8am-12pm in Bryant Park:</b></u><ul style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; background-color: rgba(255, 255, 255, 0.917969); "><li style="margin-left: 15px; ">mutual aid - food, free markets, skill shares, art!!!!!!!!!!!! music!!!!!<br /></li><li style="margin-left: 15px; ">departure point for "<a href="http://occupywallst.org/article/solidarity-action-99-pickets-picking-steam-may-day/" target="_blank" style="color: rgb(17, 85, 204); ">99 Pickets</a>" - actions throughout midtown</li></ul><u style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><b>(2) 10am - 3pm in Madison Square Park</b></u><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">&nbsp;-&nbsp;</span><a href="http://maydaynyc.org/freeuniversity" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">Free University</a><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">! A public experiment in education. Convergence of students, teachers, and the public demanding free education for all -- 3pm. twitter:&nbsp;@FreeUnivNYC #FreeU</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">Sample Offerings:<br /></b><ul style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; background-color: rgba(255, 255, 255, 0.917969); "><li style="margin-left: 15px; "><b>David Harvey</b>&nbsp;"Reclaiming the City for Anti-Capitalist Struggle" Time: 10:00-11:am Location: Statue</li><li style="margin-left: 15px; "><b>New York Asian Women's Center</b>:&nbsp; workshop covering immigration relief for survivors of domestic violence and human trafficking. This workshop will cover the very basics of VAWA, U and T visas, and SIJS, while engaging participants in a broader discussion on how U.S. immigration laws both protect and create barriers for these populations.</li><li style="margin-left: 15px; "><b>Bilal Ahmed</b>&nbsp;"The Shifting Image of Martyrdom in the Arab Spring" 1:15-2pm<br /></li><li style="margin-left: 15px; "><b>Robert Robinson/Take Back the Land</b>&nbsp;"Taking Action for Housing Rights: A Teach-In by Take Back the Land and Organizing for Occupation" Time: 11:30am</li><li style="margin-left: 15px; "><b>Laura Whitehorn/Prisoner Solidarity Group</b>&nbsp;"Mass incarceration in the U.S." Time: 1:30-3:00; Location: Statue</li><li style="margin-left: 15px; "><b>David Graeber</b>&nbsp;Time: 12:00pm</li><li style="margin-left: 15px; "><b>Drucilla Cornell</b>&nbsp;"Constituting Revolutionary Government" Time:12:30-1pm</li><li style="margin-left: 15px; "><b>Frances Fox Piven</b>&nbsp;Time: 1:00pm</li><li style="margin-left: 15px; "><b>Neil Smith</b>&nbsp;"The Future is Radically Open" Time: 1:30-2:30</li><li style="margin-left: 15px; "><b>Nitin Sawhney</b>&nbsp;"The Politics of Equality: Jacobinism and Black Jacobinism" 1-2:30<br /></li><li style="margin-left: 15px; ">"The Meaning of Solidarity: Facilitated questions and discussions with<b>&nbsp;Marina Sitrin, Anthony Alessandrini, Gary Wilder, Jeremy Raynor, Sujatha Fernandes, Peter Ranis, Mike Menser</b>&nbsp;and others; Time 12:45 - 2pm<br /></li></ul><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><u>(3)&nbsp;<a href="http://occupyguitarmy.tumblr.com/" target="_blank" style="color: rgb(17, 85, 204); ">Guitarmy</a>!!!!!!!</u><u>&nbsp;12-2pm Bryant Park</u></b><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><u>(4) 2pm March to Union Square to join&nbsp;<a href="http://maydaysolidarity2012.org/coalition/" target="_blank" style="color: rgb(17, 85, 204); ">AMAZING COALITION!&nbsp;</a></u></b><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><b style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><u>(5) Rally in Union Square</u></b><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">&nbsp;with&nbsp;</span><a href="http://maydaysolidarity2012.org/wp-content/uploads/2012/04/MAYDAYshowposter.jpg" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">musical guests</a><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); ">&nbsp;including Immortal Technique, Das Racist, Tom Morello, the NYC Labor Chorus and more</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); " /><u style="color: rgb(34, 34, 34); font-family: arial, sans-serif; background-color: rgba(255, 255, 255, 0.917969); "><b>(6) March To Wall Street!!!!!!!!!!!!!!!!!!!!!!</b><b>&nbsp;5:30pm</b></u> </div>]]>
        
    </content>
</entry>

<entry>
    <title>Back to the Big Apple</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/04/back-to-the-big-apple.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1804</id>

    <published>2012-04-29T23:56:46Z</published>
    <updated>2012-04-30T00:07:26Z</updated>

    <summary>Today I walked through Union Square, which is filled with tables distributing information for Occupy May Day. There&apos;s a very exciting series of events planned, as well as an immense amount of wonderful cultural production. The radicalism of the various booklets I picked up was so inspiring, with articles about the ecological crisis, resistance to foreclosure, the international military industrial complex, etc.</summary>
    <author>
        <name>Ashley Dawson</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=8</uri>
    </author>
    
        <category term="Dispatches from an Occupation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Politics and Activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="mayday" label="may day" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ows" label="ows" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[ <div><br /></div><div><font class="Apple-style-span" face="Georgia, 'Bitstream Charter', serif"><span class="Apple-style-span" style="font-size: 14px; line-height: 23px;">Re-posted from <a href="http://ashleydawson.info/blog">ashleydawson.info/blog</a>.</span></font></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><br /></span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; ">Italy was really great, but it's so good to be back in NYC!</span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><br /></span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Today I walked through Union Square, which is filled with tables distributing information for Occupy May Day. There's a very exciting series of events planned, as well as an immense amount of wonderful cultural production. The radicalism of the various booklets I picked up was so inspiring, with articles about the ecological crisis, resistance to foreclosure, the international military industrial complex, etc.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Here are some posters generated by the Occupy movement to publicize the events on May Day:</p></span><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/6a38a1111699814df451f392567630b0.jpg" title="6a38a1111699814df451f392567630b0" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1565" data-orig-size="150,200" data-liked="0" width="112" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/6a38a1111699814df451f392567630b0.jpg?w=112&amp;h=150" class="attachment-thumbnail" alt="6a38a1111699814df451f392567630b0" title="6a38a1111699814df451f392567630b0" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/6fba6855c4fc08c9ee6389dd29eb887c.jpg" title="6fba6855c4fc08c9ee6389dd29eb887c" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1566" data-orig-size="150,232" data-liked="0" width="96" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/6fba6855c4fc08c9ee6389dd29eb887c.jpg?w=96&amp;h=150" class="attachment-thumbnail" alt="6fba6855c4fc08c9ee6389dd29eb887c" title="6fba6855c4fc08c9ee6389dd29eb887c" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/751b18b1038a64502f6d0a86aadb5c58.jpg" title="751b18b1038a64502f6d0a86aadb5c58" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1568" data-orig-size="150,199" data-liked="0" width="113" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/751b18b1038a64502f6d0a86aadb5c58.jpg?w=113&amp;h=150" class="attachment-thumbnail" alt="751b18b1038a64502f6d0a86aadb5c58" title="751b18b1038a64502f6d0a86aadb5c58" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><br style="clear: both; " /><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/7823bc3b122118fb084c9a02340ccac7.jpg" title="7823bc3b122118fb084c9a02340ccac7" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1569" data-orig-size="150,232" data-liked="0" width="96" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/7823bc3b122118fb084c9a02340ccac7.jpg?w=96&amp;h=150" class="attachment-thumbnail" alt="7823bc3b122118fb084c9a02340ccac7" title="7823bc3b122118fb084c9a02340ccac7" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/91489b7a2db3ae430c8cbb83c90bbd60.jpg" title="91489b7a2db3ae430c8cbb83c90bbd60" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1570" data-orig-size="150,225" data-liked="0" width="100" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/91489b7a2db3ae430c8cbb83c90bbd60.jpg?w=100&amp;h=150" class="attachment-thumbnail" alt="91489b7a2db3ae430c8cbb83c90bbd60" title="91489b7a2db3ae430c8cbb83c90bbd60" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/ab0fbe0071c364f4da59e617ffc4c7e3.jpg" title="ab0fbe0071c364f4da59e617ffc4c7e3" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1571" data-orig-size="150,210" data-liked="0" width="107" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/ab0fbe0071c364f4da59e617ffc4c7e3.jpg?w=107&amp;h=150" class="attachment-thumbnail" alt="ab0fbe0071c364f4da59e617ffc4c7e3" title="ab0fbe0071c364f4da59e617ffc4c7e3" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><br style="clear: both; " /><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/b9ae91480ac77df54fdb2ceef2f78eb0.jpg" title="b9ae91480ac77df54fdb2ceef2f78eb0" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1572" data-orig-size="150,228" data-liked="0" width="98" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/b9ae91480ac77df54fdb2ceef2f78eb0.jpg?w=98&amp;h=150" class="attachment-thumbnail" alt="b9ae91480ac77df54fdb2ceef2f78eb0" title="b9ae91480ac77df54fdb2ceef2f78eb0" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/bba9bcf9acae9b9ac1555a3d335e6ca9.jpg" title="bba9bcf9acae9b9ac1555a3d335e6ca9" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1573" data-orig-size="150,204" data-liked="0" width="110" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/bba9bcf9acae9b9ac1555a3d335e6ca9.jpg?w=110&amp;h=150" class="attachment-thumbnail" alt="bba9bcf9acae9b9ac1555a3d335e6ca9" title="bba9bcf9acae9b9ac1555a3d335e6ca9" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/f304a20d059d6df645022f165cc1adac.jpg" title="f304a20d059d6df645022f165cc1adac" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1574" data-orig-size="140,250" data-liked="0" width="84" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/f304a20d059d6df645022f165cc1adac.jpg?w=84&amp;h=150" class="attachment-thumbnail" alt="f304a20d059d6df645022f165cc1adac" title="f304a20d059d6df645022f165cc1adac" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><br style="clear: both; " /><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/f929f2994d16f143835a4657a715925f.jpg" title="f929f2994d16f143835a4657a715925f" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1575" data-orig-size="150,228" data-liked="0" width="98" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/f929f2994d16f143835a4657a715925f.jpg?w=98&amp;h=150" class="attachment-thumbnail" alt="f929f2994d16f143835a4657a715925f" title="f929f2994d16f143835a4657a715925f" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/ff413cb4e6d148b0c16d78837b42f81a.jpg" title="ff413cb4e6d148b0c16d78837b42f81a" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1576" data-orig-size="150,194" data-liked="0" width="115" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/ff413cb4e6d148b0c16d78837b42f81a.jpg?w=115&amp;h=150" class="attachment-thumbnail" alt="ff413cb4e6d148b0c16d78837b42f81a" title="ff413cb4e6d148b0c16d78837b42f81a" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><dl class="gallery-item" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 10px; margin-right: 0px; margin-bottom: 1.7em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; float: left; text-align: center; width: 165px; "><dt class="gallery-icon" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><a href="http://ashleyjdawson.files.wordpress.com/2012/04/115f5656857015be2c06871a29b323cc1.jpg" title="115f5656857015be2c06871a29b323cc" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(28, 155, 220); text-decoration: underline; "><img data-attachment-id="1578" data-orig-size="150,150" data-liked="0" width="150" height="150" src="http://ashleyjdawson.files.wordpress.com/2012/04/115f5656857015be2c06871a29b323cc1.jpg?w=150&amp;h=150" class="attachment-thumbnail" alt="115f5656857015be2c06871a29b323cc" title="115f5656857015be2c06871a29b323cc" style="border-top-width: 2px; border-right-width: 2px; border-bottom-width: 2px; border-left-width: 2px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(207, 207, 207); border-right-color: rgb(207, 207, 207); border-bottom-color: rgb(207, 207, 207); border-left-color: rgb(207, 207, 207); " /></a></dt></dl><br style="clear: both; " /></span><span class="Apple-style-span" style="font-family: Georgia, 'Bitstream Charter', serif; font-size: 14px; line-height: 23px; "><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">After spending time talking to Occupy activists, I went down into the subway. There I came across an amazing band called Underground Horns busking for money.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">How inspiring to find so much vibrant popular culture on the streets.&nbsp; Okay, the US is an extremely reactionary country on a general political level, but cities like New York are filled with such redemptive popular energy.</p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Here's a clip of Underground Horns' performance:</p></span></div><iframe width="560" height="315" src="http://www.youtube.com/embed/3IoiK_LhPsE" frameborder="0" allowfullscreen=""></iframe><p></p><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Striking New Relationships</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/04/striking-new-relationships.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1803</id>

    <published>2012-04-29T04:34:51Z</published>
    <updated>2012-04-29T04:53:38Z</updated>

    <summary>Why do we strike on May Day? What is that strike? We strike in solidarity with global labor, our own histories and with each other. The action of striking is not just a withdrawal of labor but what Marina Sitrin calls &quot;striking new relationships.&quot; The actions of refusal to play the part expected of us, in whatever way we can, and imagining other ways of relating to each other are what will constitute a day of generally striking, a striking day.</summary>
    <author>
        <name>Nicholas Mirzoeff</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=31</uri>
    </author>
    
        <category term="Dispatches from an Occupation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Politics and Activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="mayday" label="may day" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ows" label="ows" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[<i><div><i><br /></i></div>Re-posted from <a href="http://www.nicholasmirzoeff.com/O2012/">Occupy 2012</a>.</i><div><i><br /></i></div><div><i><span class="Apple-style-span" style="color: rgb(55, 55, 55); font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-weight: 300; line-height: 24px; font-style: normal; ">Why do we strike on May Day? What is that strike? We strike in solidarity with global labor, our own histories and with each other. The action of striking is not just a withdrawal of labor but what Marina Sitrin calls "striking new relationships." The actions of refusal to play the part expected of us, in whatever way we can, and imagining other ways of relating to each other are what will constitute a day of generally striking, a striking day.</span></i></div><div><i><span class="Apple-style-span" style="color: rgb(55, 55, 55); font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; font-weight: 300; line-height: 24px; font-style: normal; "><br /></span></i></div><iframe width="560" height="315" src="http://www.youtube.com/embed/AD8rA1DkmF0" frameborder="0" allowfullscreen=""></iframe><div><font class="Apple-style-span" color="#373737" face="'Helvetica Neue', Helvetica, Arial, sans-serif"><span class="Apple-style-span" style="font-size: 15px; line-height: 24px;"><br /></span></font></div><div><span class="Apple-style-span" style="color: rgb(55, 55, 55); font-size: 15px; font-weight: 300; line-height: 24px; "><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">Let's review the call for a Day Without the 99 percent:</p><ul style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 2.5em; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; list-style-type: square; list-style-position: initial; list-style-image: initial; "><li style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; ">No Work: for many there is no need to respond because they have no work. For others, refusing to work is legally impossible or would endanger them too greatly. Those of us who can do so will withdraw our labor in solidarity with the precarity and dangers suffered by those who cannot.</li></ul><div style="font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; "><img alt="may_day_poster.jpg" src="http://www.socialtextjournal.org/blog/may_day_poster.jpg" width="259" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></div><div><font class="Apple-style-span" style="font-size: 1em; "><br /></font></div></span><ul style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 2.5em; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; list-style-type: square; list-style-position: initial; list-style-image: initial; color: rgb(55, 55, 55); line-height: 24px; "><li style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><font class="Apple-style-span" style="font-size: 1em; ">No School: in Bloombergistan, only 13% of African-American and Latino students graduate high school ready for college. Those who make it find that the ticket to employment literally comes with a mortgage: one million people now have student debt of over $100,000 or more. We leave school to insist it is a right not a privilege and, for a day, those of us who can will offer classes freely to all who care to attend to prefigure the learning that is to come.</font></li><li style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><font class="Apple-style-span" style="font-size: 1em; ">No Housework: domestic labor continues to make the world liveable, and as harmonious and possible as it can. The women, children and (some) men who perform that labor have to endure the insult of one percenters like Ann Romney claiming their dignity. We will not engage in this invisible labor for one day in order to reclaim it and to show solidarity with those who are compelled by neoliberalism to act as full-time carers without support, whether for elders, children, the dis/abled or&nbsp; others in need.</font></li><li style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><font class="Apple-style-span" style="font-size: 1em; ">No Banking: here we refuse to participate in the system of financial distribution and exchange that has so impoverished us all and yet has been allowed to carry on as if nothing happened. The financialization of everything and everyone has made it difficult to withdraw entirely from the banking system, as many used to be able to do. We can plan to move our money to credit unions and other co-operatives.</font></li><li style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "><font class="Apple-style-span" style="font-size: 1em; ">No Shopping: consumers dictate the success or failure of the one percent. By refusing to shop for things that we do not need, we can show how the concept of permanent growth is unsustainable.</font></li></ul><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">What we will do is more important than what we will not do. We will share ideas, skills, food, music, art, friendship, solidarity and space. We will assert that striking new relationships is living, while working for life is not. Over the course of four months of planning, Occupy has become the autonomous, decentralized movement that was promised in September 2011. The combination of mutual aid, direct action, direct democracy, affinity groups and the free exchange of knowledge and ideas, enabled and facilitated by digital technologies, has changed many lives already. This "internal" process of transformation is now ready to reach out to many others.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">Will capitalism fall on May 1? No. But it's doing a good job of collapsing on its own at the moment. The more we refuse to come to its aid, the quicker that moment may come.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">Will cities grind to a halt on May 1? No. Transport workers are not on strike, so that people can easily get to the events and so that those who have no choice but to work can do so.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">Will there be more life, more laughter, more music, more creativity, more confrontation, more raising of awareness, more solidarity: in short, more love? Yes, she said, yes, yes, yes.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">These new relationships will reconfigure our relationship to U. S. history and to the rest of the world. It was in Chicago in 1886 that May Day strikers called for the eight-hour working day. The demonstration ended with a bomb being thrown that culminated in the <a href="http://en.wikipedia.org/wiki/Haymarket_affair">notorious Haymarket affair</a>&nbsp;and the execution of four people, none of whom had been shown to be responsible for throwing the mysterious bomb.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">From that event, May Day has become the global festival of labor. For many years, unions in this country have refused to participate in May Day events for fear of being labeled Communists. Now, more than twenty years after the end of the Cold War, labor, immigrants and Occupy activists are coming together to act in solidarity with the global 99%.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 15px; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><font class="Apple-style-span" style="font-size: 1em; ">Why post this today rather than May 1? Because I will be striking on May 1 in whatever ways I can and it's not too late for you to think of some way in which you can as well. Please join us.</font></p><p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-size: 15px; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(55, 55, 55); line-height: 24px; "><i>See more May Day posters</i><span class="Apple-style-span" style="font-style: inherit;"> </span><a href="http://occuprint.org/Category/MayDay"><i>here</i></a><span class="Apple-style-span" style="font-style: inherit;">.</span></p></div>]]>
        
    </content>
</entry>

<entry>
    <title>Kony</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/the_skim/2012/04/kony.php" />
    <id>tag:www.socialtextjournal.org,2012:/the_skim//13.1802</id>

    <published>2012-04-24T20:59:35Z</published>
    <updated>2012-04-24T21:00:08Z</updated>

    <summary>Where to send people when they ask what alternatives to Kony 2012 there are....</summary>
    <author>
        <name>Tavia Nyong&apos;o</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=13&amp;id=3</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.socialtextjournal.org/the_skim/">
        <![CDATA[Where to <a href="http://makingsenseofkony.org/">send people</a> when they ask what alternatives to Kony 2012 there are. ]]>
        
    </content>
</entry>

<entry>
    <title>Take Artists Space: Dissensus and the Creation of Agonistic Space</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/04/take-artists-space-dissensus-and-the-creation-of-agonistic-space.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1801</id>

    <published>2012-04-23T04:16:17Z</published>
    <updated>2012-04-28T22:06:53Z</updated>

    <summary>&quot;What does it mean to be uninvited?&quot; This is the question Benjamin Buchloh posed in response to the work of Christopher D&apos;Arcangelo exhibited at Artists Space in October 2011. D&apos;Arcangelo created unauthorized anarchist interventions into the gallery and erased his name from its exhibition records in order to reject the systemic circulation of artwork as capital in the 1970&apos;s. In his commentary, Buchloh decried the &quot;hidden violence inherent in display and cultural values&quot; and lauded Arcangelo for &quot;re-radicalizing the Duchampian principle that anyone can bring anything at anytime into a gallery space.&quot;</summary>
    <author>
        <name>Andrea Liu</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=775</uri>
    </author>
    
        <category term="Art and Performance" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Dispatches from an Occupation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="consensus" label="consensus" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ows" label="OWS" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="visualarts" label="visual arts" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[<div><br /></div><div>"What does it mean to be uninvited?" This is the question Benjamin Buchloh posed in response to the work of Christopher D'Arcangelo exhibited at Artists Space in October 2011. D'Arcangelo created unauthorized anarchist interventions into the gallery and erased his name from its exhibition records in order to reject the systemic circulation of artwork as capital in the 1970's. In his commentary, Buchloh decried the "hidden violence inherent in display and cultural values" and lauded Arcangelo for "re-radicalizing the Duchampian principle that anyone can bring anything at anytime into a gallery space."</div><div><br /></div><div>Buchloh's valorization of D'Arcangelo's actions uncannily presaged <a href="http://artistsspaceoccupation.tumblr.com/post/11713551461">Take Artists Space</a>, an extraordinary 28-hour occupation of Artists Space that began on October 22nd. Also known as Occupy 38 (for 38 Greene Street, the address of Artists Space), Take Artists Space was initiated by Greek-born visual artist Georgia Sagri, a veteran of protests against austerity cuts in Greece, whose brother Tasos Sagris is also at the forefront of social movements in Greece and is co-writer of <a href="http://www.akpress.org/2010/items/weareanimagefromthefuture">We Are an Image From the Future</a>, a book about the 2008 Greek Revolt. I would describe Georgia Sagri as an "old soul," a person of uncommon acuity and political instinct.<a href="#_ftn1" name="_ftnref1" title="" style="text-decoration: none; "><span class="MsoFootnoteReference"><font class="Apple-style-span" style="font-size: 0.8em; ">[1]</font></span></a>  Amongst the many others who participated were: M. Peterson, member of the activist film and documentary collective <a href="http://redchannels.org/writings/RC003/RC003_intro.html">Red Channels</a>&nbsp;and H. Simonian, an artist and organizer of <a href="http://www.newmuseum.org/events/463">16 Beaver Group</a>,&nbsp;a unique political space for artists. Before Occupy Wall Street, Simonian had been an active participant amongst roughly 50 people who gathered at Tompkins Square Park twice a week in July and August 2011 and who had created the <a href="http://motherjones.com/politics/2011/10/occupy-wall-street-international-origins?page=2">NYCGA (New York City General Assembly)</a>, eventually giving birth to the Occupy Wall Street movement itself in September.&nbsp;</div><div><br /></div><div>16 Beaver, a central locale for processing what is happening in the OWS movement, held <a href="http://www.16beavergroup.org/everything/">a 9 day OWS seminar</a> this January where Peterson noted that in the first few weeks of Occupy Wall Street, each week there was an action to "up the ante" of the movement and expand public sympathy. &nbsp;However, by mid-October, OWS had stagnated, and by late October, Oakland had surpassed NY in terms of being the forefront of the Occupy movement.&nbsp;</div><div><br /></div><div>In the weeks leading up to Take Artists Space on October 22nd, OWS had tried but failed to occupy Washington Square Park as well as the BMW Guggenheim Lab. In the latter case, my sense is that the occupiers first attempted to negotiate with the Guggenheim Lab for a "sanctioned occupation," which many occupiers felt eventually led them to being manipulated out of the space. So it was in the midst of a frustration with institutionally-sanctioned occupations that Artists Space became the next stop for a nucleus of artists and activists. On October 22nd at the end of a late afternoon gallery talk at Artists Space, the occupation was declared, and over the course of the next 28 hours more than 200 people came (many from Zuccotti Park and with no relation to the art world) to occupy Artists Space. &nbsp;</div><div><br /></div><div><u>Take Artists Space: A Critique of Consensus</u></div><div><br /></div><div>Take Artists Space was marked by a deep skepticism about the bureaucratization of the consensus process and the rituals of Occupy Wall Street, which was expressed by a collection of &nbsp;long-time activists and intellectuals at the OWS Direct Democracy Working Group meeting at 16 Beaver on January 12th, &nbsp;including L. Richardson (host of <a href="http://wbai.org/index.php?option=com_content&amp;task=view&amp;id=11455&amp;Itemid=142">Occupy Wall Street Radio</a>). As Murray Bookchin <a href="http://dwardmac.pitzer.edu/Anarchist_Archives/bookchin/soclife.html">astutely observes</a>, "Decision-making by consensus precludes ongoing dissensus--the all-important process of continual dialogue, disagreement, challenge, and counter challenge, without which social as well as individual creativity would be impossible." Consensus is antithetical to "agonism," Chantal Mouffe's term for the conflict and disagreement that is not an anomaly or an aberration to be "blended in" to some overarching unity, but the constitutive element of democracy itself. <br /><br />Having participated in half a dozen OWS working groups at varying levels (i.e. Queer Caucus, Speakeasy/Safer Spaces, Occupy Museums, Arts &amp; Labor, Arts &amp; Culture), I will say that these groups can range from being extremely provisional and ad hoc in terms of attendance and members to para-professional networks with shades of encroaching institutionality. Whatever the case may be, they are not the "intentional communities" for whom consensus decision-making was devised. Intentional communities have thrown their lot in together, pool resources, and have taken it upon themselves to organize a parallel society. This is not what an OWS working group is--not even close. A working group at OWS can consist of 5 to 40 people you see once a week for one or two hours, some of whom you do not even know and may never see again, engaging in fairly bureaucratic procedural-oriented discussion about "planning for actions." Even if you become great friends eventually, it is still not an intentional community. When consensus is attempted by an ad hoc group of people who may never have talked about their values, much less share them, it can become a recipe for stagnation.&nbsp; <br /><br />Consensus privileges the ideas that are the most palatable, not necessarily the ones that have the most merit. Although anarchists started the OWS movement, both the media and OWS subsequently marginalized (and in some cases demonized) them in order to appeal to a broader, Gap-shopping, Starbucks-drinking public that may have no prior experience in thinking about social or political change. Therefore, it is a safe bet to say that the "centrism" that OWS produces is going to be one that rejects an impulse for radical autonomy from institutions, a direct confrontation with private property laws, or other more experimental or anarchist ideals for social justice. &nbsp;</div><div><br /></div><div>Perhaps this is why many involved in the Take Artists Space action (such as Sagri) believe that the "consensus" that is held up to be a sacred cow of OWS is not a point of dynamism and growth, but a point of stasis. As Chantal Mouffe notes in <i>Towards an Agonistic Model of Democracy</i>, "We have to accept that every consensus exists as a temporary result of a provisional hegemony, as a stabilization of power, and that it always entails some form of exclusion."<a href="#_ftn2" name="_ftnref2" title="" style="text-decoration: none; "><span class="MsoFootnoteReference"><font class="Apple-style-span" style="font-size: 0.8em; ">[2]</font></span></a>  Delineating instead the attempt to create agonism, Mouffe continues, "Clearly those who advocate the creation of agonistic public spaces, where the objective is to unveil all that is repressed by the dominant consensus are going to envisage the relation between artistic practices and their public in a very different way than those whose objective is the creation of consensus, even if this consensus is seen as a critical one. According to the agonistic approach, critical art is art that foments dissensus, that makes visible what the dominant consensus tends to obscure and obliterate.<a href="#_ftn3" name="_ftnref3" title="" style="text-decoration: none; "><span class="MsoFootnoteReference"><font class="Apple-style-span" style="font-size: 0.8em; ">[3]</font></span></a> </div><div><br /></div><div>Most befuddling to me is to see visual artists acquiesce to consensus. We spend 8 hours in critiques in order to problematize our relationship to our work, to destabilize and be in constant alienation from our own authority through self-critique -- all so we can come to OWS to submit to the authority of the normalizing unanimity of "agreement." Consensus encourages people to paper over differences, whereas visual art heightens difference, making more and more specific (even antagonistic) our ability to discern and distinguish difference. Consensus seems antithetical to the dialectical values of pushing boundaries, destabilizing norms, and exploding preconceived codes. Much of visual art is aligned with alienation, estrangement, negation, and extremity, whereas OWS encourages everyone to "get along" in the name of a unity that has scarcely ever been politically examined or interrogated. <br /><br />This is not to say that Take Artists Space was an artist project, which it was not. On the first night of Take Artists Space, in an attempt to get away from its connection to an art space or an artist project, the occupiers renamed themselves "Occupy 38" (although one person suggested "Plymouth Rock"). The rule was that no journalists and no cameras were allowed. Although the Artists Space staff initially permitted the occupiers to stay, there was considerable tension, as this was not a pre-planned and announced action. &nbsp;Rejecting the recalcitrant dependency of Occupy Wall Street on the media, Take Artists Space was resolute in creating a non-mediatized environment. This was not an ideology, but simply a tactic used for this case.&nbsp;</div><div>&nbsp;</div><div>Take Artists Space can be understood as an attempt by those who were amongst the originators of OWS to reject the T-shirt selling, media-crazed, faddish carnival that OWS had slid into and its concomitant predictable rituals of consensus in order to re-invigorate the movement with the bite of real-life insurrection. As Rosalyn Deutsche argues in <i>Evictions: Art and Spatial Politics</i> regarding public space, "a democratic rhetoric of openness and accessibility and rise to the defense of public space--are structured by exclusions and moreover, by attempts to erase the traces of these exclusions. Exclusions are justified, naturalized, and hidden by representing social space as a substantial unity that must be protected from conflict, heterogenity, and particularity."<a href="#_ftn4" name="_ftnref4" title="" style="text-decoration: none; "><span class="MsoFootnoteReference"><font class="Apple-style-span" style="font-size: 0.8em; ">[4]</font></span></a>  In a similar vein, Take Artists Space sought to shatter the ritualized "unity" propounded by mainstream OWS. Take Artists Space believed in a re-radicalization of everyday life outside the hyper-specialized division of labor into an endless series of committees. Take Artists Space connected sentiment to action; action to event; and event to transgression. <br /><br />The brevity of Take Artists Space was not a testament to its inconsequentiality. On the contrary--much like <a href="http://findarticles.com/p/articles/mi_m0268/is_1_45/ai_n19492567/">the cancellation of Manifesta 6</a> in 2006 curated by Anton Vidokle,Take Artists Space's brevity was a testament to the fact that it had hit a threshold of power and had threatened a status quo, so rare in today's made-for-institution institutional critique.<a href="#_ftn5" name="_ftnref5" title="" style="text-decoration: none; "><span class="MsoFootnoteReference"><font class="Apple-style-span" style="font-size: 0.8em; ">[5]</font></span></a>  It delivered its critique of the institutions of the art world in a way they could not authorize, frame or choreograph. Sagri would not give in to Artists Space Executive Director Stefan Kalmar's attempt to co-opt the occupation into Artists Space programming. As such, after much wrangling, conflict and disagreement between the staff and the occupiers, after 28 hours Artists Space hired a security force and evicted the occupiers.&nbsp;</div><div><br /></div><div>Take Artists Space opened itself up to risk, antagonism, and punishment in a way that OWS art-related working groups could not. Like a stealth doppelganger of D'Arcangelo exhibition's "unauthorized anarchist interventions into the gallery" from the 70s that had now been reified into a mere "authorized" exhibition in 2011, Take Artists Space came in through the back door and rendered sentient and palpable what had been a formal exercise in transgression. Take Artists Space broached open a discursive space in which to ask: What does it mean when an art institution says it is in alliance with OWS, and what are the terms of that alliance? Will an institution that says it is in alliance with OWS undermine its own authority and power? &nbsp;To appropriate Buchloh's description of D'Arcangelo, Take Artists Space represented "the mythical offer of de-hierarchization." In this sense, it was the most sublime moment of Occupy Wall Street, and the one upon which all subsequent Occupy Wall Street art actions should be based. &nbsp;</div><div><br /></div><div><font style="font-size:10pt" size="2"><i>Andrea Liu is a visual art and 
performance critic who has been artist-in-residence at MFAH Houston CORE
 Program, Ox-Bow/Art Institute of Chicago, Atlantic 
Center for the Arts, Millay Colony, Byrdcliffe Guild, and Jacob's 
Pillow. She runs the Bushwick temporary
 gallery the Naxal Belt.&nbsp;</i></font>&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <br /></div> ]]>
        
    </content>
</entry>

<entry>
    <title>China and the Human Event at CUNY </title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/04/china-and-the-human-event-at-cuny.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1800</id>

    <published>2012-04-17T21:06:20Z</published>
    <updated>2012-04-17T21:13:18Z</updated>

    <summary>Join Social Text and the editors of a special double issue of the journal on &quot;China and the Human&quot; for a special event hosted by the CUNY Center for the Humanities on Thursday, April 19th, 2012. Full program available here. </summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=74</uri>
    </author>
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[<div><br /><span class="Apple-style-span" style="font-family: 'Times New Roman'; font-size: 15px; ">China is everywhere
in the news for its astounding economic development and its equally astonishing
human rights abuses. Beginning with this curiously inverse relationship between
economic success and political rights and freedom, the relationship of China
and the human begs to be explored. Bringing together editors and contributors
to <i>Social Text</i>'s newly published double issue on "China and the
Human" this interdisciplinary symposium seeks to question the self-evident
nature of both "China" and "human" by examining the long
career of the human in Chinese culture and thought, reaching back to ancient
traditions and exploring the radical transformations under Maoism and in the
current socialist-capitalist era. Join us for a series of panel discussions and
conversations.</span><br /><br />Full program available <a href="http://centerforthehumanities.org/events/China-and-the-Human">here</a>. </div>]]>
        
    </content>
</entry>

<entry>
    <title>On Fear, Theory, and Acting Anyways</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/04/on-fear.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1790</id>

    <published>2012-04-10T22:00:55Z</published>
    <updated>2012-04-16T15:31:59Z</updated>

    <summary>It has been through my participation in Occupy that I&apos;ve first come to feel my citizenship, not in the narrow national sense, but in a broader sense of intentional political subjectivity in the world. Through my adult life I&apos;ve voted,...</summary>
    <author>
        <name>Hannah Chadeayne Appel</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=642</uri>
    </author>
    
        <category term="Dispatches from an Occupation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="citizen" label="citizen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fear" label="fear" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ows" label="ows" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[<div><br /></div>It has been through my participation in Occupy that I've first come to feel my citizenship, not in the narrow national sense, but in a broader sense of intentional political subjectivity in the world. Through my adult life I've voted, marched, worked for an economic justice NGO, and read/written/thought about capitalism in particular during my PhD and its immediate aftermath. But the sustained political Q &amp; A that participation in Occupy has demanded of me - <i>what does it mean not only to recognize the systemic and historical character of our economic system</i> <i>but also to <u>act </u>on it, <u>daily</u>?</i> - has engendered in me and others I've spoken to a certain experience of embodied citizenship that I hadn't felt before. This embodied citizenship feels neither radical nor fringe. Rather, it feels self-evident and minimal, as in, <i>oh! <u>this</u> is what citizenship feels like</i>.&nbsp; <br /><br />And yet, just as I begin to feel like a citizen, I've suddenly (in some circles) been branded a radical. Just when it begins to feel like what I was doing <i>before </i>was an extreme form of disengagement, I am told that what I'm doing <i>now </i>is extreme. Perhaps naively, this has been a shock. The first time I feel like a citizen coincides with the first time I've been called a radical; the first time I've chosen to enact the politics I'd come to know theoretically, I've been called extreme. This moment also happens to coincide with my first forays into the academic job market, and it has been desperately confusing (frightening, frustrating, maddening, incredulity-producing) to imagine that my work with Occupy might be a liability in that effort. <br /><br />So I've been thinking a lot about fear, because I have a lot of it, not only (in fact not even mostly) related to my desire to be employed, but also because actually confronting contemporary forms of capitalism in an effort to change them is scary. This fear has also made me think about what might be called the facile courage of theory, a phrase I pose gently as someone who loves critical theory and continually strives to learn from it and contribute to it. However, it is simply not as scary to participate in a workshop on Capitalism and Crisis, or to teach Marx and J.K. Gibson Graham, as it is to <a href="http://gothamist.com/2012/01/26/over_25_arrested_at_occupy_wall_str.php">disrupt an auction of foreclosed homes</a> or to stand up to police when they tell you you cannot hold a sign on the importance of the separation between investment and commercial banking in public space. <br /><br /><iframe width="560" height="315" src="http://www.youtube.com/embed/GoZ2adGM7cY" frameborder="0" allowfullscreen=""></iframe><br /><br />In Occupy circles and beyond, my expression of this fear is met with various responses, some of the most trenchant of which point to the ways in which my particular forms of fear emanate from privilege. Not only am I privileged to have something to lose professionally, but more importantly, as a white woman from an upper middle class family, I can <i>choose </i>to put myself in the way of a foreclosed home auction; I can <i>choose </i>to engage a policeman who is telling me I'm breaking a law when I clearly am not. My family home has not been foreclosed upon. The police <a href="http://www.nyclu.org/issues/racial-justice/stop-and-frisk-practices">don't stop me</a> when I walk through Harlem. I agree with these responses, and at the same time I insist on the importance of my fear. I insist first because this fear is widespread among people who agree with what Occupy is doing but may not be participating. I insist second because this fear has both tactical and theoretical implications for revolution. <br /><br /><b>Insistence 1: This fear is widespread, and tells us something about attenuated citizenship today</b><br /><br />For communities already targeted by the police, rapacious lending practices, and cycles of odious debt, the barriers to entry into direct action-oriented citizenship are high. The consequences of arrest are greater, the violence of incarceration often more brutal, the resources to be accessed from friends and family often scarce. This is discussed ad nauseum in OWS, as it should be. (Graeber also has an excellent discussion of this in his book <i>Direct Action</i>, p.241--&gt;). Less discussed, however, is the fear of reprisal for those less-precariously positioned. If <span style="border-collapse:collapse;font-family:arial,sans-serif;font-size:13px"> the Taylor Law, no-strike clauses, and the <span class="il">Taft</span>-<span class="il">Hartley</span> act inhibit forms of strike that used to be central to</span> mass activism, it is difficult to find an analogous set of laws, clauses, and acts that inhibit <i>even discussion</i> of alternatives to contemporary economic doxa among those implicated in carrying out its excesses. And yet, many are oddly silent. And those who aren't silent are afraid. <br /><br />Many of the bankers and former bankers, bank analysts, private equity managers, 
economists and economics professors, former hedge-fund quants, Wall 
Street traders-turned freelance writers, tax specialists, small business
 owners, and math PhDs, who make up much of the weekly participation in the <a href="http://www.socialtextjournal.org/blog/2012/02/-normal-0-false-false.php">OWS AltBanking working group</a> are <i>afraid to use their real names</i>, and studiously avoid the press when it comes to their OWS work. When I ask why, most reply that they're still interested in working in their respective industries, and they're worried about being 
discredited through their relationship to the movement. Arguably, the general tone of media coverage on Occupy justifies this fear, but misrepresentation aside, what <i>exactly </i>would they be discredited for? For discussing financial reform? For trying to 
figure out what really happened at MF Global? For imagining a public 
option credit card with a .99% interest rate, or filing an amicus 
brief on the pending, disastrous mortgage settlement? These are the sorts of tame, wonky, utterly reformist conversations that take place in this working group (although we did come up with a great <a href="http://alternativebanking.nycga.net/2012/04/02/order-your-alt-banking-hoodie/">debt jubilee sweatshirt</a> for May Day.) In other words, it seems that even the act of working collaboratively on financial reform outside "respectable" channels becomes a liability. Those citizens arguably most empowered to make certain kinds of incremental, short term change possible are terrified of being "outed" as OWS-affiliated. As the editor of this blog put it to me, "the fear of experts in bringing their expertise to bear against the systems that certify and empower them is a provocative case study." Indeed--a provocative case study in the <i>radical attenuation</i> of citizenship in relation to particular forms of contemporary capitalism, producing a world in which embodied citizenship itself oddly seems radical. <br /><br /><b>Insistence 2: Tactical &amp; Theoretical Reasons to take Fear Seriously</b><br /><br />In <i>Direct Action</i>, Graeber talks about "contaminationism," the idea that "the experience of freedom is infectious, and that anyone who takes part in a direct action is likely to be permanently transformed by the experience and want more" (211). The specific idea of freedom at work in direct action is the (often momentary) insistence that repressive and unjust forms of authority do not exist, and people can and should organize themselves as they see fit, whether into a spontaneous street party full of music and puppets, or into the kinds of mutual aid we see across the country's occupations: free health care, libraries, food. There is certainly a deep thrill to these and other forms of direct action, the feeling (in another of Graeber's images) of tearing holes in a capitalist fabric; holes which, if we tear enough of them, might eventually connect into gaping openings. But, at least in my very short experience with this form of action, in addition to the thrill there is also fear. Or more precisely, there are also meaningful forms of hesitation and ambivalence, not least because "what participants experience as profound and transformative often looks, from the outside, as peculiar at best--at worst cult-like or insane" (211). &nbsp; <br /><br />This all feels like a long way of saying that I didn't understand what revolution might mean until I confronted it <i>with my body</i>. 
Not revolution itself, but the actions, processes, thoughts, 
and subjectivities required to get there. Those are frightening at least in part because they ask us to move beyond the comfortable forms of nuance and compromise in which we academics dwell in our reading, writing, and teaching practices. This fear comes from leaving the comforting folds of theory to walk out into the stark commitments of direct action, and to embody, at least momentarily, the certitudes and assurances that seem easy to write about but much more threatening to enact. Let me say it again: in my experience, critiques of capitalism are easy to write in an essay, but become tentative and scary in other comities of 
practice.To end then, what does it mean to <i>act anyways</i>?
<br /><br />What does it mean to commit <i>with </i>fear? With the misgivings 
that the action isn't perfect? On the other hand, what does it mean to 
stay in the realm of writing and critical thinking until you can figure 
out the perfect action? Just as I will continue to read and write theory despite the trenchant 
critiques of ivory towerism, so too will I continue to take daily direct 
action against forms of economic and social injustice, despite the trenchant critiques that <i>that action didn't work</i>, or, <i>that idea is too reformist</i>. I also say to those who are engaged in the movement primarily through theory, <i>thank you</i>, and also, <i>please join us</i>.
 <i>Please act anyways</i>. There are many of us theorists within the movement whose intellectual 
certitudes are challenged daily by the vagaries and failures of 
practice. Let's embody theory and citizenship side by side. <br /> <div><br /></div>]]>
        <![CDATA[<br />]]>
    </content>
</entry>

<entry>
    <title>Neurocultures Manifesto</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/periscope/2012/04/neurocultures-manifesto.php" />
    <id>tag:www.socialtextjournal.org,2012:/periscope//6.1792</id>

    <published>2012-04-07T02:19:58Z</published>
    <updated>2012-04-16T15:27:39Z</updated>

    <summary> This manifesto is for those of us who do not consider ourselves as belonging to one of the scientific fields generating official brain knowledge. We need a neurocultural manifesto because the brain has been put forward by others as...</summary>
    <author>
        <name>Victoria Pitts-Taylor</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=6&amp;id=763</uri>
    </author>
    
        <category term="Neuroculture" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="biocultural" label="biocultural" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="manifesto" label="manifesto" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="neuroscience" label="neuroscience" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.socialtextjournal.org/periscope/">
        <![CDATA[












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<p class="MsoNormal" style="text-indent:.5in;line-height:200%"><br /></p><p class="MsoNormal" style="text-indent:.5in;line-height:200%">This manifesto is
for those of us who do not consider ourselves as belonging to one of the
scientific fields generating official brain knowledge. We need a neurocultural
manifesto because the brain has been put forward by others as foundational for
knowing about the self and social life, because neuroscientists are being asked
to be the philosophers, sociologists and gender theorists of our era - they are
being asked to do our jobs - and are responding with enthusiasm, and also because
brain matter is mattering. Its materiality is now making itself known
everywhere: in images, texts, in culture, in embodied practices, in the clinic
and the hospital and the school, in everyday life. Many of us want to expand
and diversify the available knowledges about the brain by offering critical
perspectives on the brain and brain science that take the social and cultural as
seriously as the biological. This is a critical task that deserves
encouragement.</p>

<p class="MsoNormal" style="text-indent:.5in;line-height:200%"><br /></p><p class="MsoNormal" style="text-indent:.5in;line-height:200%">The "Biocultures
Manifesto" (Davis and Morris 2007) encouraged the work of critical scholars who
were collapsing the onto-epistemological divides between biology and culture.
The biocultural view argues for the co-constitution of the body and culture,
and for the impossibility of knowing them separately. Following a biocultural
view, the term "neurocultures" refers to a number of social and biological problematics,
including: the cultural condition of the so-called age of the brain, or the
current era's excitement over neuroscientific knowledge; struggles among
scientists, doctors, patients, advocates, ethicists, and activists over what
the brain is, should be, and can be; representations of the brain and
applications of brain science in the cultural and political imagination; personal
and collective uptakes of neuroscientific knowledge in everyday life; academic
appropriations of neuroscience in the humanities and social sciences; and, most
fundamentally, the inextricability of neuronal matter with its bodily, social,
and historical surroundings. </p>

<p class="MsoNormal" style="text-indent:.5in;line-height:200%"><br /></p><p class="MsoNormal" style="text-indent:.5in;line-height:200%">This manifesto draws
on the work of neo-materialist scholars in feminist and social theory who are
rethinking biological matter. Dissatisfied with the limitations of social
constructionism for critiquing biological knowledge, but mindful of its
insights, neo-materialism examines the ineluctably social character of nature
and the natural makeup of the social. In doing so it ultimately collapses the
distinctions between them, recalling Donna Haraway's (1991) formulation,
nature/culture. Neuroscientific knowledge is being widely applied to questions
of mind, self and society, with significant implications for our understandings
of personal identity, gender, sexuality, embodiment, ethics and morality, human
nature, and social life. In response, feminists, social theorists, writers of
literature and memoir, philosophers, sociologists, anthropologists, artists and
others outside of neuroscience are now taking up and critiquing brain science. This
manifesto urges a commitment to a biocultural framework in our critical
engagements. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="text-align:center;line-height:200%" align="center"><b>NeuroCultures
Manifesto</b></p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">1. The brain is biocultural. A
biocultural point of view sees biology and culture as inextricably connected.
This does not mean that biology determines the social, but means instead that
they interface and cannot be divided; separation is fatal for critical
thinking. For example, research on brain plasticity, or the brain's capacity to
change in response to environmental changes and experience, and epigenetics, or
how genes are differentially expressed, raise many questions regarding how
culture matters neuronally. A dynamic view sees the brain (as a physiological
structure), mind (as what the brain does) and world (the body, other people,
culture, the environment) in constant engagement. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">2. Neurocentrism is a limiting
viewpoint. The brain is part of, in, and dependent upon the body. <span style="mso-spacerun:yes">&nbsp;</span>Any philosophical treatment of the brain that
forgets this should be reminded. Conversely, critical scholarship on the body in
cultural studies, feminism, queer and social theory should take into account
the brain as a bodily organ that, like the rest of the body, expresses the
co-dependence of nature and culture. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">3. Selves and subjects are always
embodied. They are always biological as well as cultural, social, and personal.
Social theory that pits culture, mind and self against biology, including
neurobiology, diminishes our grasp of the dynamic relation of these. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">4. The brain is matter. Critical
scholarship must take up how the brain is framed by neuroscience, but it does
not best proceed by treating the biological as if it were simply made up.
Social constructionists should not assume "social facts may be entirely
dissociated from biological facts" (Davis and Morris 2007). Critique should not
limit itself to describing the conditions under which facts of biology are
known or generated (Latour 2004). Critical work on the brain must attend to the
materiality of brain facts. We must examine the technologies, practices, and
modifications that intervene in and transform neural flesh, while taking the
organic seriously. Those who do not take the organic seriously are at risk of
reifying dualist modes of thinking and dismissing people's lived experiences of
embodiment. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">5. The brain is not ahistorical,
fixed, or atemporal. A good deal of current neurobiology paints a picture of
the brain as continually shaped through its constant dynamic relation with the
world. Further, the brain is always situated in a body and self, and thus in
social relations, in family, community, in culture and the economy, in the
local and the global, in history. One of the tasks of neurocultural critique is
to insist upon holistic perspectives; the methods and knowledges of the
humanities and social sciences are necessary for grasping the situated brain as
a cultural as well as organic subject/object. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">6. Because a biocultural brain must
be understood and interpreted biologically and culturally, scientists cannot be
left to do this job alone. Relatedly, the cultural implications of
cellular-level research in the lab cannot be interpreted solely through the
lens of biology. Interdisciplinary work is no longer optional, but required in
order to avoid and combat biological reductionism in arenas where it is an
intellectual detriment.</p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">7. A lot is at stake in knowledge
about the brain. This is true for those identified as neurotypicals and those
identified as neurodiverse; for patients and those not (yet) patients of
neurologists; for those whose body practices and notions of personal wellness
are being shaped by brain science; for those identified as at risk for
dementia, addiction, depression, infertility, obesity, or other bodily
condition now being informed by neuroscience; for juries, jurists, judges and
defendants who are being exposed to brain evidence; for men and women who are
being told that they have different brain types; for anyone implicated in
discussions of morality, emotion, reason, intelligence, sanity, health, sexuality,
personality and character. The stakes are material as well as discursive; brain
knowledge is not simply shaping what we think brains are, but is informing
practices that literally, materially shape them.<span style="mso-spacerun:yes">&nbsp; </span></p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">8. We should all participate in
negotiating these stakes. Neuroscientists are expanding their reach far beyond
their training, into realms of philosophy, ethics, society, culture. Scholars of
these fields must return the favor. When boundaries are broken down between
biology and culture, cultural theorists need to be as empowered to speak about
biology as biologists are about culture. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">9. We should learn to be critical
readers of brain scholarship. We should teach our students to read
neuroscientific papers, critique methods and interpretations, and follow controversies
in the field (see for example Dumit 2004; Jordan-Young 2010; Vidal and Ortega
2011). We should not rely on only popular books that sell neuroscience as
philosophy; we should read the research upon which these books make their
claims. </p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height:200%">10. We should not accept uncritical
uses of neuroscience in our own disciplines. Neurosociologists should be as careful
with neuroscientific methods and interpretations as they are of sociological
ones. Cognitive literary studies should be as attentive and responsible with
its use of research on neurons and brain regions as it is of texts. The
reification of neuroscientific ideas is anathema to a biocultural agenda.</p>

<p class="MsoNormal" style="line-height:200%">&nbsp;</p>

<p class="MsoNormal" style="line-height: 200%;">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; There
are now numerous scholars in the humanities and social sciences whose work is
engaging critically with brain science. Collectively we are establishing a
critical biocultural, neurocultural literature on the brain. Unfortunately, however,
it is still much easier to find uncritical rehearsals of brain science that
disseminate it as monolithic, unassailable truth. Critical neurocultural scholarship
on the brain can improve the fund of knowledge about our biocultural
constitution. A neurocultural intervention will be critical but also relevant;
it will grasp the cultural-political stakes; it will demand holistic perspectives
on organic matter; and it will make room for multiple and complex
interpretations of the cultural/biological interface that refuses to reduce one
to the other.</p><p class="MsoNormal" style="line-height: 200%;"><br /></p><p class="MsoNormal" style="line-height: 200%;"><i>Victoria Pitts-Taylor is Professor of Sociology, Director of the Center for the Study of Women and Society, and Coordinator of Women's Studies at the Graduate Center of the City University of New York as well as Professor of Sociology at Queens College, CUNY.</i><br /></p><p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">References:</p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">Davis, Lennard and David Morris. 2007. "Biocultures Manifesto,"
New Literary History vol. 38 no. 3: 411-418.</p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">Dumit, Joseph. 2004. <i>Picturing Personhood: Brain Scans and
Biomedical Identity</i>. Princeton, NJ: Princeton University Press. </p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">Haraway, Donna. 1991. <i>Simians, Cyborgs and Women:The Reinvention of Nature</i>. New York: Routledge. <br /></p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">Jordan-Young. Rebecca. 2010. <i style="mso-bidi-font-style:
normal">Brainstorm: the Flaws in the Science of Sex Difference.</i> Cambridge,
MA: Harvard University Press.</p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">Latour, Bruno. 2004. "Why Has Critique Run out of Steam?
From Matters of Fact to </p>

<p class="MsoNormal">Matters of Concern," <i style="mso-bidi-font-style:normal">Critical
Inquiry</i> vol. 30 no. 2: 225-248. </p>

<p class="MsoNormal">&nbsp;</p>

<p class="MsoNormal">Vidal, Fernando and Francisco Ortega. 2011. "Approaching the
Neurocultural Spectrum - an Introduction," pp 7-27 in <i style="mso-bidi-font-style:
normal">Neurocultures: Glimpses into an Expanding Universe</i>, ed. Francisco
Ortega and Fernando Vidal. New York: Peter Lang. </p>





 ]]>
        
    </content>
</entry>

<entry>
    <title>China and the Human</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2012/04/china-and-the-human.php" />
    <id>tag:www.socialtextjournal.org,2012:/events//12.1798</id>

    <published>2012-04-06T17:20:18Z</published>
    <updated>2012-04-30T01:45:06Z</updated>

    <summary>China is everywhere in the news for its astounding economic development and its equally astonishing human rights abuses. Beginning with this curiously inverse relationship between economic success and political rights and freedom, the relationship of China and the human begs to be explored. Bringing together editors and contributors to Social Text&apos;s newly published double issue on &quot;China and the Human&quot; this interdisciplinary symposium seeks to question the self-evident nature of both &quot;China&quot; and &quot;human&quot; by examining the long career of the human in Chinese culture and thought, reaching back to ancient traditions and exploring the radical transformations under Maoism and in the current socialist-capitalist era. Join us for a series of panel discussions and conversations.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
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<p class="MsoNormal"><i style="mso-bidi-font-style:normal">Social Text</i> 109/110
(Winter 2011/Spring 2012)<b style="mso-bidi-font-weight:normal"><o:p></o:p></b></p>

<p class="MsoNormal">The Graduate Center, City University of New York, 365 Fifth
Avenue, New York City, Rooms C201/C202</p>

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<!--StartFragment--><div><span class="Apple-style-span" style="font-family: 'Times New Roman'; font-size: 15px; ">China is everywhere
in the news for its astounding economic development and its equally astonishing
human rights abuses. Beginning with this curiously inverse relationship between
economic success and political rights and freedom, the relationship of China
and the human begs to be explored. Bringing together editors and contributors
to <i>Social Text</i>'s newly published double issue on "China and the
Human" this interdisciplinary symposium seeks to question the self-evident
nature of both "China" and "human" by examining the long
career of the human in Chinese culture and thought, reaching back to ancient
traditions and exploring the radical transformations under Maoism and in the
current socialist-capitalist era. Join us for a series of panel discussions and
conversations.</span></div><div><font class="Apple-style-span" color="#c74e00" face="Arial, 'MS Trebuchet', sans-serif"><span class="Apple-style-span" style="line-height: 16px;"><i><br /></i></span></font></div><div><span class="Apple-style-span" style="color: rgb(199, 78, 0); font-family: Arial, 'MS Trebuchet', sans-serif; line-height: 16px; "><em style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 13px; font: inherit; vertical-align: baseline; font-style: italic; "><br /></em></span></div>






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<!--StartFragment-->

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal">12:00-12:30pm<span style="mso-tab-count:1"> </span>Opening Remarks<o:p></o:p></b></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Teemu Ruskola</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (Emory Law)<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Anna McCarthy</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> <i style="mso-bidi-font-style:
normal">(Social Text)<o:p></o:p></i></span></p>

<p class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal">12:30-2:15pm<span style="mso-tab-count:1"> </span><span style="mso-tab-count:1"> </span>Panel 1<o:p></o:p></b></p>

<p class="MsoNormal" style="line-height:115%"><i style="mso-bidi-font-style:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:115%">Chair<span style="mso-tab-count:1"> </span><span style="mso-tab-count:1"> </span><span style="mso-tab-count:1"> </span></span></i><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:115%">Shuang Shen</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:115%">
(Comparative Literature, Penn State University)<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Ackbar Abbas</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (Comparative Literature,
University of California at Irvine), "China and the Human: A Visual Dossier"<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Michael Dutton</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (Politics, Goldsmiths), "Fragments
of the Political, or How We Dispose of Wonder"<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Camille Robcis</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (History, Cornell), "'China
in Our Heads': Althusser, Maoism, and Structuralism"<o:p></o:p></span></p>

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:
115%">Mei Zhan</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
line-height:115%"> (Anthropology, University of California at Irvine), "Worlding
Oneness: Daoism, Heidegger, and Possibilities for Treating the Human"<o:p></o:p></span></p>

<p class="MsoNormal"><i style="mso-bidi-font-style:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Commentators</span></i><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"><span style="mso-tab-count:
1"> </span><span style="mso-tab-count:1"> </span><b style="mso-bidi-font-weight:
normal">Peter Hitchcock</b> (English, Graduate Center, CUNY)<o:p></o:p></span></p>

<p class="MsoNormal"><i style="mso-bidi-font-style:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"><span style="mso-tab-count:
1"> </span><span style="mso-spacerun:
yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="mso-tab-count:1"> </span><span style="mso-tab-count:1"> </span><o:p></o:p></span></i></p>

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal">2:45-4:30pm<span style="mso-tab-count:1"> </span><span style="mso-tab-count:1"> </span>Panel 2<o:p></o:p></b></p>

<p class="MsoNormal" style="line-height:115%"><i style="mso-bidi-font-style:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:115%">Chair</span></i><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:115%"><span style="mso-spacerun:
yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span><span style="mso-tab-count:1"> </span><span style="mso-tab-count:1"> </span><b style="mso-bidi-font-weight:normal">David Eng</b> (English, University of
Pennsylvania)<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Eric Hayot</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (Comparative Literature,
Penn State University), "Cosmologies, Globalization, and Their Humans"<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Petrus Liu</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (Comparative Literature,
Cornell), "Queer Human Rights in and against China: Marxism and the Figuration
of the Human"<o:p></o:p></span></p>

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:
115%">Shu-mei Shih</span></b><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;line-height:115%"> (Comparative Literature, University of California at
Los Angeles), "Is the Post- in Postsocialism the Post- in Posthumanism?"<o:p></o:p></span></p>

<p class="MsoNormal"><i style="mso-bidi-font-style:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Commentators<span style="mso-tab-count:1"> </span> <span style="mso-tab-count:1"> </span></span></i><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt">Brent Edwards </span></b><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt">(English, Columbia)<i style="mso-bidi-font-style:normal"><o:p></o:p></i></span></p>

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal"><o:p>&nbsp;</o:p></b></p>

<p class="MsoNormal" style="line-height:115%"><b style="mso-bidi-font-weight:
normal">5:00-6:00<span style="mso-tab-count:1"> </span><span style="mso-tab-count:
1"> </span>Roundtable Discussion<o:p></o:p></b></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">Tani Barlow </span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">(History, Rice)<o:p></o:p></span></p>

<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt">David Harvey</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"> (Anthropology and
Geography, Graduate Center, CUNY)<o:p></o:p></span></p>

<p class="MsoNormal" style="line-height:115%"><span style="font-size: 11pt; line-height: 115%; "><b>Haun Saussy</b></span><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;line-height:115%"> (Comparative Literature, Chicago)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt"><o:p>&nbsp;</o:p></span></p>

<div><i style="mso-bidi-font-style:normal"><span style="font-size:10.0pt;mso-bidi-font-size:
12.0pt;font-family:&quot;Times New Roman&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
mso-bidi-font-family:&quot;Times New Roman&quot;;mso-ansi-language:EN-US;mso-fareast-language:
EN-US">Sponsored by the Halle Institute, Emory University; the Mellon Committee
on the Study of Globalization and Social Change and the Center for Place,
Culture and Politics, the Graduate Center of the City University of New York;
the Heyman Center for the Humanities, Columbia University; the Department of
Comparative Literature, Penn State University, and </span></i><span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:&quot;Times New Roman&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;
mso-ansi-language:EN-US;mso-fareast-language:EN-US">Social Text<i style="mso-bidi-font-style:normal">.</i></span><span class="Apple-style-span" style="color: rgb(199, 78, 0); font-family: Arial, 'MS Trebuchet', sans-serif; line-height: 16px; "><em style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-size: 13px; font: inherit; vertical-align: baseline; font-style: italic; ">.</em></span></div>]]>
        
    </content>
</entry>

<entry>
    <title>In His Own Home</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/blog/2012/04/in-his-own-home.php" />
    <id>tag:www.socialtextjournal.org,2012:/blog//10.1797</id>

    <published>2012-04-06T15:57:51Z</published>
    <updated>2012-04-06T17:17:03Z</updated>

    <summary>On March 3, 2010, campus police at the University of Florida, responding to a 911 call from a neighbor and colleague who heard screaming next door, broke into Ghanaian doctoral student, Kofi Adu-Brempong&apos;s campus housing apartment.  The neighbor was apparently fearful of Kofi, who had sent paranoid e-mails to his colleagues in the Geography department.  Despite his assurances that he was okay, members of the Critical Incident Response Team, armed with assault rifles, forcibly entered his apartment, and within seven seconds, shot the unarmed and disabled man in the face.  </summary>
    <author>
        <name>Malini Johar Schueller</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=10&amp;id=507</uri>
    </author>
    
        <category term="Higher Education" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="ST Collective" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="kofi" label="kofi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="police" label="police" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="racism" label="racism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="securitization" label="securitization" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="university" label="university" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/blog/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><font class="Apple-style-span" style="font-size: 1.25em; "><br /></font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><font class="Apple-style-span" style="font-size: 1.25em; "><i>In His Own Home</i>&nbsp;(Dir. Malini Johar Schueller &amp; Luce Capco Lincoln):</font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><span class="Apple-style-span" style="font-size: 15px;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><font class="Apple-style-span" style="font-size: 1.25em; "><iframe src="http://player.vimeo.com/video/26297523?title=0&amp;portrait=0&amp;autoplay=1" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen="" frameborder="0" height="224" width="398"></iframe></font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><font class="Apple-style-span" style="font-size: 1.25em; "><br /></font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><font class="Apple-style-span" style="font-size: 1.25em; ">On March 3, 2010, campus police at the University of Florida, responding to a 911 call from a neighbor and colleague who heard screaming next door, broke into Ghanaian doctoral student, Kofi Adu-Brempong's campus housing apartment. &nbsp;The neighbor was apparently fearful of Kofi, who had sent paranoid e-mails to his colleagues in the Geography department. &nbsp;Despite his assurances that he was okay, members of the Critical Incident Response Team, armed with assault rifles, forcibly entered his apartment, and within seven seconds, shot the unarmed and disabled man in the face. &nbsp;Kofi, who sustained multiple injuries to his face and spine, was taken to the hospital where he was guarded 24/7, his body tied to the bed, his legs shackled together when going to the bathroom, and charged with resisting arrest. &nbsp;While student protests led the university administration to drop the charges, the officer who shot Kofi, and who had, in the past, repeatedly cruised through town, throwing eggs at black neighborhoods in Gainesville, continues to serve in the university police department.&nbsp;</font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><font class="Apple-style-span" style="font-size: 1.25em; "><br /></font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><span class="Apple-style-span" style="font-size: 15px; "><i>In His Own Home</i> suggests that Kofi's shooting not only repeats a familiar pattern of police brutality against Blacks, but also speaks to the alarming rise of campus militarization. &nbsp;Reflecting the national obsession with terror and security, and boosted by Virginia Tech, campuses nationwide are geared to dealing with the threat of unpredictable violence, aka, "terror." Meanwhile, disrespectful students are tasered and minor disturbances are attended to by SWAT-like teams. &nbsp;The recent tragic death of eighteen year old Everette Howard, subsequent to being tasered by the University of Cincinnati campus police, attests to the dangers of a militarized campus security. &nbsp;Unfortunately, the University of Florida's use of Margolis and Healy after Kofi's shooting, consultants who rose to prominence after Virginia Tech, and who tout expertise in teaching Israelis tactics in dealing with violence, demonstrated the preoccupation with terror and a disinterest in questions of police brutality and race. &nbsp;Although the case has shocked students at the University of Florida and protesters have held several rallies to bring attention to the shooting, the case remains a local incident and has received virtually no coverage outside Florida.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><br /></p><p></p> ]]>
        
    </content>
</entry>

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