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    <title>Events</title>
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    <id>tag:www.socialtextjournal.org,2009-11-10:/events/12</id>
    <updated>2010-07-06T09:13:47Z</updated>
    <subtitle>Happenings of Note</subtitle>
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<entry>
    <title>Performing the Future</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/07/performing-the-future.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.773</id>

    <published>2010-07-05T12:51:06Z</published>
    <updated>2010-07-06T09:13:47Z</updated>

    <summary>Social Text collective member José Muñoz will be among the presenters at this state of the field conference on performance, to be held July 8th - 10th, 2010, at the House of World Cultures in Berlin. Click here for the full conference program. </summary>
    <author>
        <name>Admin</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=1</uri>
    </author>
    
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    <category term="performance" label="performance" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="performativity" label="performativity" scheme="http://www.sixapart.com/ns/types#tag" />
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        <![CDATA[<i><div><br /></div>Social Text</i> collective member <a href="http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=6&amp;id=37">José Muñoz</a> will be among the presenters at this state of the field conference on performance, to be held July 8th - 10th, 2010, at the House of World Cultures in Berlin. Click <a href="http://www.sfb-performativ.de/abschlusstagung/index.en.html">here</a> for the full conference program. ]]>
        
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</entry>

<entry>
    <title>Desiring Just Economies / Just Economies of Desire</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/06/desiring-just-economies-just-economies-of-desire.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.731</id>

    <published>2010-06-19T21:16:08Z</published>
    <updated>2010-07-06T09:13:19Z</updated>

    <summary>Social Text collective member Lisa Duggan is among the speakers at this conference to be held 24-26 June, 2010 at the Institute for Cultural Inquiry in Berlin. Desiring Just Economies / Just Economies of Desire, according to it&apos;s organizers, will &quot;explore how desire not only sustains current economies, but also carries the potential for inciting new forms of understanding and doing economy.&quot; Read the full conference statement and get more details here.</summary>
    <author>
        <name>Admin</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=1</uri>
    </author>
    
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    <category term="queertheory" label="queer theory" scheme="http://www.sixapart.com/ns/types#tag" />
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        <![CDATA[<i><div><br /></div> Social Tex</i><i>t</i> collective member Lisa Duggan is among the speakers at this conference to be held 24-26 June, 2010 at the <a href="http://www.ici-berlin.org/">Institute for Cultural Inquiry</a> in Berlin.&nbsp;<div><br /></div><div><a href="http://www.desiring-just-economies.de/">Desiring Just Economies / Just Economies of Desire</a>, according to it's organizers, will "explore how desire not only sustains current economies, but also carries the potential for inciting new forms of understanding and doing economy ... The conference's twin interest lies in unpacking how sexuality is implicit in economic processes and in unfolding how economy is linked to sexuality. How do current global economic processes (including production, reproduction, consumption, circulation, speculation) constitute specific sexual identities and practices that collaborate in relations of exploitation, domination, and subjectivation? Conversely, how do ways of organizing sexuality influence economic processes?"&nbsp;</div><div><br /></div><div>You can read the full <a href="http://www.desiring-just-economies.de/concept.html">conference statement</a> and get more details <a href="http://www.desiring-just-economies.de/programme.html">here</a>.</div>]]>
        
    </content>
</entry>

<entry>
    <title>Middle Passages: Histories and Poetics</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/04/middle-passages-histories-and-poetics.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.688</id>

    <published>2010-05-01T00:34:40Z</published>
    <updated>2010-06-19T21:29:42Z</updated>

    <summary>The Middle Passage has long been a trope for unspeakable terror. But a recent generation of scholars has been keen on discerning how the Middle Passage as social experience defined lives, histories and contemporary social selves. This event brings together some of the most prominent writers on the subject to present papers and participate in discussion. May 6-7, 2010 at the Graduate Center, CUNY. 365 Fifth Avenue, New York City.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
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    <category term="history" label="history" scheme="http://www.sixapart.com/ns/types#tag" />
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        <![CDATA[<div><span class="Apple-style-span" style="color: rgb(49, 49, 49); font-family: Arial, Helvetica, sans-serif; font-size: 12px; ">The Middle Passage has long been a trope for unspeakable terror. But a recent generation of scholars has been keen on discerning how the Middle Passage as social experience defined lives, histories and contemporary social selves. Middle Passages: Histories &amp; Poetics brings together some of the most prominent writers on the subject to present papers and participate in discussion.</span></div><div><font class="Apple-style-span" color="#313131" face="Arial, Helvetica, sans-serif" size="3"><span class="Apple-style-span" style="font-size: 12px;"><br /></span></font></div>May 6-7, 2010 at the Graduate Center, CUNY<div><br /><div>365 Fifth Avenue, New York City</div><div><br /></div><div>Conference Schedule:</div><div><br /></div><div>THURSDAY, MAY 6TH</div><div><br /></div><div>11:30 - 12:00</div><div>Introduction &amp; Opening Remarks</div><div>Herman L. Bennett</div><div><i>CUNY Graduate Center</i></div><div>Segal Theater</div><div><i><br /></i></div><div>12:00 - 1:30</div><div>Keynote: Eve Trout Powell</div><div><i>University of Pennsylvania</i></div><div>"Huda and Halide and the Slaves at Bedtime: Egyptian and Ottoman Feminist Leaders and the Memory of Slavery in the mid-20th Century"</div><div><br /></div><div><div>2:00 - 3:30</div><div>Seminar: James Sweet</div><div><i>University of Wisconsin</i></div><div>Comment: Gary Wilder</div><div><i>CUNY Graduate Center</i></div><div><br /></div><div>4:00 - 5:30</div><div>Seminar: Stephanie E. Smallwood</div><div><i>University of Washington, Seattle</i></div><div>Comment: Michael Ralph</div><div><i>New York University</i></div><div><br /></div><div>6:00 - 7:30</div><div>Seminar: Vincent Brown</div><div><i>Harvard University</i></div><div>Comment: Julie Livingston</div><div><i>Rutgers University</i></div><div><br /></div><div>FRIDAY, MAY 7TH</div><div><br /></div><div>11:00 - 12:30</div><div>Seminar: Yvette T. Christiansë</div><div><i>Fordham University</i></div><div>Comment: Christopher L. Brown</div><div><i>Columbia University</i></div><div><br /></div><div>2:00 - 3:30</div><div>Seminar: Edlie L. Wong</div><div><i>Rutgers University</i></div><div>Comment: Carroll Smith-Rosenberg</div><div><i>University of Michigan</i></div><div><br /></div><div>4:00 - 5:30</div><div>Keynote: Saidiya V. Hartman</div><div><i>Columbia University</i></div><div>"Dispossession: A Poetics"</div><div><br /></div><div>Free and open to the public, but registration is required. For registration and access to pre‐circulated readings, please visit <a href="http://www.centerforthehumanitiesgc.org/seminars">www.centerforthehumanitiesgc.org/seminars</a>.</div></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Issue 102 Reception April 30th</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/04/issue-102-reception-april-30th.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.671</id>

    <published>2010-04-20T00:02:23Z</published>
    <updated>2010-05-01T14:33:37Z</updated>

    <summary>Please join the collective Friday April 30th in celebrating the publication of Social Text 102, a special issue on &quot;The Politics of Recorded Sound,&quot; guest edited by Gustavus Stadler.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
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    <category term="issue102" label="Issue 102" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newyork" label="New York" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[Please join the Social Text Collective in celebrating the publication of Social Text 102, a special issue on "The Politics of Recorded Sound," guest edited by Gustavus Stadler. <div><br /></div><div>CONTRIBUTORS</div><div>Jayna Brown &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Jennifer Stoever-Ackerman</div><div>Mara Mills &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; David Suisman</div><div>Gustavus Stadler &nbsp; &nbsp; Alexandra T. Vazquez</div><div><br /></div><div>RECEPTION</div><div>Friday, April 30, 2010</div><div>5:30 to 7:30 p.m.</div><div><br /></div><div>Tisch School of the Arts</div><div>721 Broadway, 12th floor</div><div>Dean's Conference Room</div>]]>
        
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</entry>

<entry>
    <title>Party with the Authors</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/04/party-with-the-authors.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.646</id>

    <published>2010-04-05T03:21:05Z</published>
    <updated>2010-04-20T00:12:28Z</updated>

    <summary>Dear ST Collective Friends,

Please join Ed Cohen and David L. Eng, authors of A Body Worth Defending and A Feeling of Kinship for a joint book party on Sunday, 18 April 2010 at the Asian American Writers&apos; Workshop.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
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        <![CDATA[<div>Dear ST Collective Friends,</div><div><br /></div><div>Please join Ed and me for our joint book party on Sunday April 18, 2010 at the Asian American Writers' Workshop.</div><div><br /></div><div>Cheers,</div><div><br /></div><div>David &amp; Ed</div><div><br /></div><div><div><i>The Feeling of Kinship:</i></div><div><i>Queer Liberalism and Racialization of Intimacy</i></div><div>David L. Eng</div><div><br /></div><div>In <i>The Feeling of Kinship</i>, David L. Eng investigates the emergence of "queer liberalism," the empowerment of certain gays and lesbians in the United States economically through an increasingly visible and mass-mediated queer consumer lifestyle, and politically through the legal protection of rights to privacy and intimacy. Eng argues that in our "colorblind" age the emergence of queer liberalism is a particular incarnation of liberal freedom and progress, one constituted by both the racialization of intimacy and the forgetting of race. Through a startling reading of Lawrence v. Texas, the landmark legal decision overturning Texas's antisodomy statute, Eng reveals how the ghosts of miscegenation haunt both Lawrence and the advent of queer liberalism.</div><div><br /></div><div>Eng develops the concept of "queer diasporas" as a critical response to queer liberalism. A methodology drawing attention to new forms of family and kinship, accounts of subjects and subjectivities, and relations of affect and desire, the concept differs from the traditional notions of diaspora, theories of the nation-state, and principles of neoliberal capitalism upon which queer liberalism thrives. Eng analyzes films, documentaries, and literature by Asian and Asian American artists including Wong Kar-wai, Monique Truong, Deann Borshay Liem, and Rea Tajiri, as well as a psychoanalytic case history of a transnational adoptee from Korea. In so doing, he demonstrates how queer Asian migrant labor, transnational adoption from Asia, and the political and psychic legacies of Japanese internment underwrite narratives of racial forgetting and queer freedom in the present. A focus on queer diasporas also highlights the need for a poststructuralist account of family and kinship, one offering psychic alternatives to Oedipal paradigms. <i>The Feeling of Kinship</i> makes a major contribution to American studies, Asian American studies, diaspora studies, psychoanalysis, and queer theory.</div><div><br /></div><div><i>David L. Eng is Professor in the Department of English, the Program in Comparative Literature and Literary Theory, and the Program in Asian American Studies at the University of Pennsylvania. He is the author of </i>Racial Castration: Managing Masculinity in Asian America<i> as well as a co-editor of </i>Loss: The Politics of Mourning and Q&amp;A: Queer in Asian America<i>.</i></div><div><br /></div><div>"Spanning psychoanalysis, law, and aesthetics, and reading richly and with passion, David L. Eng's The Feeling of Kinship looks at transnational adoption as an exemplary scene of contemporary intimacy in the United States. This is a fearless book that knows and feels what it means to have to defend oneself from the 'liberal' place in which one lives; what it means racially, sexually, and legally to have to be defensive in a nation that identifies itself with freedom."--Lauren Berlant, author of <i>The Female Complaint: The Unfinished Business of Sentimentality in American Culture</i></div><div><br /></div><div>"<i>The Feeling of Kinship</i> is a timely examination of the persistence of racial and national differentiation within the privileged investments of 'queer liberalism,' in the particular focus on the rights to affective union in domesticity, privacy, and family. Here, as elsewhere, David L. Eng demonstrates his gifts of critical precision and elegant presentation."--Lisa Lowe, University of California, San Diego</div><div><br /></div><div><i>A Body Worth Defending:&nbsp;</i></div><div><i>Immunity, Biopolitics, and the Apotheosis of the Modern Body</i></div><div>Ed Cohen</div><div><br /></div><div>Biological immunity as we know it does not exist until the late nineteenth century. Nor does the premise that organisms defend themselves at the cellular or molecular levels. For nearly two thousand years "immunity," a legal concept invented in ancient Rome, serves almost exclusively political and juridical ends. "Self-defense" also originates in a juridico-political context; it emerges in the mid-seventeenth century, during the English Civil War, when Thomas Hobbes defines it as the first "natural right." In the 1880s and 1890s, biomedicine fuses these two political precepts into one, creating a new vital function, "immunity-as-defense." In <i>A Body Worth Defending</i>, Ed Cohen reveals the unacknowledged political, economic, and philosophical assumptions about the human body that biomedicine incorporates when it recruits immunity to safeguard the vulnerable living organism.&nbsp;</div><div><br /></div><div>Inspired by Michel Foucault's writings about biopolitics and biopower, Cohen traces the migration of immunity from politics and law into the domains of medicine and science. Offering a genealogy of the concept, he illuminates a complex of thinking about modern bodies that percolates through European political, legal, philosophical, economic, governmental, scientific, and medical discourses from the mid-seventeenth century through the twentieth. He shows that by the late nineteenth century, "the body" literally incarnates modern notions of personhood. In this lively cultural rumination, Cohen argues that by embracing the idea of immunity-as-defense so exclusively, biomedicine naturalizes the individual as the privileged focus for identifying and treating illness, thereby devaluing or obscuring approaches to healing situated within communities or collectives.</div><div><br /></div><div><i>Ed Cohen teaches cultural studies and directs the doctoral program in women's and gender studies at Rutgers University, New Brunswick</i>.</div><div><br /></div><div>Ed Cohen provides a breathtakingly original exploration of the ways in which immunity, a concept defined and complicated through the strange interlocking of biological and medical with legal and political discourses, has come to explain modern bodies, both individual and collective. A brilliant, timely contribution to understanding the biopolitics of illness, contagion, and defense."--Elizabeth Grosz, author of The Nick of Time: Politics, Evolution, and the Untimely</div><div><br /></div><div>"Ed Cohen's original epistemological history sheds new light on the taken-for-granted modern imperative to care for our health by tending our immune systems. This important book reveals in startling and fresh ways the philosophical groundings that made this imperative seem natural."--Emily Martin, author of <i>Flexible Bodies: The Role of Immunity in American Culture from the Days of Polio to the Age of AIDS</i></div><div><br /></div><div>"<i>A Body Worth Defending</i> will become a widely cited classic in the history of medicine, because of the range of its scholarship, the sophistication of its analysis, the significance of its findings for understandings of 'the modern body,' and its literary style. Ed Cohen's voice is authoritative, engaging, and likable; by the middle of the introduction, I was hooked."--Helen Keane, author of <i>What's Wrong with Addiction?</i>&nbsp;</div></div> ]]>
        
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<entry>
    <title>Author Event and Book Party</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/04/author-event-and-book-party.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.640</id>

    <published>2010-04-03T00:15:01Z</published>
    <updated>2010-04-08T10:49:38Z</updated>

    <summary>The Center for Place, Culture and Politics invites you to celebrate publication of Protest and Organization in the Alternative Globalization Era by Heather Gautney.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
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    <category term="ngo" label="NGO" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="politicalviolence" label="political violence" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmovements" label="social movements" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<div><b><br /></b></div><div><span class="Apple-style-span" style="font-weight: bold; ">WEDNESDAY, APRIL 7th, 2010</span></div><div><b><br /></b></div><div>The Center for Place, Culture and Politics invites you to celebrate publication by four of our own:</div><div><br /></div><div><div><i>PROTEST AND ORGANIZATION IN THE ALTERNATIVE GLOBALIZATION ERA: NGOs, Social Movements, and Political Partie</i>s</div><div>by Heather Gautney (PalgraveMacmillan, 2010)</div><div><br /></div></div><div><i>THE LONG SPACE: Transnationalism andPostcolonial Form</i></div><div>by Peter Hitchcock (Stanford University Press, 2010)</div><div><br /></div><div><i>HUMAN DEVELOPMENT AND POLITICAL VIOLENCE</i></div><div>by Colette Daiute &nbsp;(CambridgeUniversity Press, 2010)</div><div><br /></div><div><i>WHO CAN STOP THE DRUMS? Urban SocialMovements in Chavez's Venezuela</i></div><div>by Sujatha Fernandes &nbsp;(Duke UniversityPress, 2010)</div><div><br /></div><div>Wednesday, April 7th, 2010</div><div>6 pm at the Center for Place,Culture and Politics (Room 6107)</div><div>CUNY Graduate Center</div><div>365 Fifth Avenue @ 34thStreet</div><div><br /></div><div>Books will be on sale</div> ]]>
        
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<entry>
    <title>Meet the Regents</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/03/meet-the-regents.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.631</id>

    <published>2010-03-11T18:19:41Z</published>
    <updated>2010-04-03T00:36:10Z</updated>

    <summary>Who are The Regents of the University of California? What is their role within this recent crisis and the entire UC system? Meet the Regents is an exhibit that raises these questions. More here.</summary>
    <author>
        <name>Susette Min</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=61</uri>
    </author>
    
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        <![CDATA[<p>&nbsp;</p>
<p>From March 3rd to the 19th, 2010 at UC Davis's Memorial Union Art Lounge, AHI 401 will present <strong>Meet the Regents</strong>, an exhibit which focuses on the California Master Plan for Higher Education and the role of The Regents of the University of California in relation to the recent UC budget crisis. </p>
<p>Under Article IX, Section 9 of the California Constitution, The Regents are given "full powers of organization and governance" of all the UC campuses. The decisions to appoint Mark Yudof as UC President and to approve to increase student fees 32% were made by The Regents. </p>
<p>Who are The Regents? What is their role within this recent crisis and the entire UC system? Have they broken the promise of the California Master Plan for Higher Education, conceived by then UC President Clark Kerr, who in 1960 envisioned and intended to make an exceptional quality of higher public education accessible to anyone regardless of class, race, sexuality, and gender? The recent decisions and actions by The Regents signal a move towards privatization of higher education that jeopardizes the Master Plan's "unique" commitment to have a "place ready for every high school graduate or person otherwise qualified." <strong>Meet the Regents </strong>raises these questions by introducing some of The Regents board members, 18 out of the 26 of which are appointed by the governor for 12-year terms. </p>
<p>The multi-media exhibition will include photography, text, video, and a <a href="http://sites.google.com/site/meettheregents/home">podcast</a>. </p>
<p><strong>Meet the Regents</strong> is co-curated by the students of AHI 401, a course on curatorial methods taught by Professor <a href="http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=32&amp;id=61">Susette Min</a>: Alison Flory, Ruthye Cole, Kevin Frances, Jane Oh, Elizabeth Ottenheimer, Lucy Potter, Dayanita Ramesh, Stan Nghia Trinh, and Camille Wheat <strong></strong></p>
<p><strong>For an extensive critique on the UC Regents,</strong> please see Will Parrish's <a href="http://www.counterpunch.org/parrish03012010.html">article in Counterpunch </a>that investigates in particular, the privatization of the University of California and "alpha regent" Richard Blum. A condensed version of this article can be found also in <a href="http://www.againstthegrain.org/">an interview Parrish did recently </a>with C.S. Soong on <em>Against the Grain</em>. </p>]]>
        
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<entry>
    <title>&quot;Louder Than Bombs&quot;: Art, Action, and Activism</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/02/louder-than-bombs-art-action-and-activism.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.571</id>

    <published>2010-02-12T13:45:09Z</published>
    <updated>2010-03-11T18:19:29Z</updated>

    <summary>Those in the London area over the next two months may want to check out this seven-week long series of artist residencies on the theme of art, action and activism at the Stanley Picker Gallery in Kingston.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
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    <category term="performance" label="performance" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<div><br /></div>Those in the London area over the next two months may want to check out this seven-week long series of artist residencies on the theme of art, action and activism at the <a href="http://www.stanleypickergallery.org/">Stanley Picker Gallery</a> in Kingston. The event is co-curated with the <a href="http://www.thisisliveart.co.uk/">Live Art Development Agency</a>.&nbsp;Please visit www.stanleypickergallery.org for&nbsp;exact times and details of public events,&nbsp;workshops and activities taking place during each residency.
<div><br /></div>
<div><b>"Louder than Bombs": Art Action &amp; Activism Program:</b>&nbsp;</div>
<div><br /></div>
<div>Week 1 9-13 February - STEVEN LEVON OUNANIAN &amp; THOMAS THWAITES "Honey Trap" &nbsp;</div>
<div><br /></div>
<div>The black-market operates alongside an open economy of security products and theft insurance. It benefits the open market to hype the risks, as goods that are stolen will need to be replaced. Honey Trap is a bicycle designed to be stolen and able to record its own surroundings: relaying sound, images and other information about its subsequent whereabouts. Making a spectacle of the crime, this sensational 'gaze' is certainly uncomfortable, but allows an examination of rights to surveillance and the treatment of crime in the media. "Is our use of someone else's misfortune, or opportunism, in our art project justified because they stole our bike?" www.stevenlevon.com www.thomssthwaites.com&nbsp; </div>
<div><br /></div>
<div><i>Week 2 16-20 February - ÃINE PHILLIPS "The Lost Runway"&nbsp;</i></div>
<div><br /></div>
<div>Using the conventions of the fashion show format, Ãine Phillips' The Lost Runway is a collection of specially created sculptural costumes, each dedicated to a 'lost girl' as a living personal monument embodying the story of her life. The Lost Runway is an ideological space invested with beauty, desire, loss and longing. The work is a sensitive, poetic and challenging testimonial to missing persons, and the lifelong searches of their friends and families, giving public form to private memory in the service of human freedom and the right to the protection of life. www.ainephillips.com&nbsp;</div>
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<div><i>Week 3 23-27 February - SEAN BURN "Napalm Perceptible: A Dictionary for the BNP"&nbsp; </i></div>
<div><br /></div>
<div>"Words are weapons. And I'm in a war!" -- Andrew Vachss Racism is on the rise and made worse by the recession. We are all defined by language, yet too often our own voices are educated, socialised, classed, gendered, ethnicised, medicated or otherwise removed. Sean Burn - writer, performer and outsider artist actively involved in disability arts - will create a "Dictionary for the BNP", by interrogating the roots of each entry of a standard English dictionary. Physically deleting all "non-indigenous" words, language will act as the 'lightning-conductor' to deconstruct the absurdities of extremist hate. www.gobscure.info&nbsp;</div>
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<div><i>Week 4 2-6 March - ANSUMAN BISWAS "Present"&nbsp;</i></div>
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<div>"What is there left to give? What do we share now? My gift is the present." -- Ansuman Biswas Gifts can be powerful social binders, but today aid is big business and can be a balm for post-colonial guilt and a lubricant for a post- industrial economy, where poverty and luxury have shifting definitions. Charity can be highly performative; played out in Live Aid, Red Nose Day, Children in Need, and the adoption of third-world babies by Hollywood A-listers. For his residency, Ansuman Biswas will enter the gallery with nothing - no food, no water, no clothing - and remain for one week, throughout which anyone is welcome to bring to him whatever they think he might need or want. www.manchesterhermit.wordpress.com&nbsp;</div>
<div><br /></div>
<div><i>Week 5 9-13 March - STACY MAKISHI &amp; YOSHIKO SHIMADA "When I Fell For You I Fell Like The Bomb" / "Sleeping With Your Enemy"&nbsp;</i></div>
<div><br /></div>
<div>Hawaii-born artist Stacy Makishi and Japanese artist Yoshiko Shimada work independently across a wide variety of media, investigating perspectives on cultural identity, sexual politics, and personal and private memory. Taking two previously instigated projects as their starting point, the artists are collaborating for the first time. With the legacies of Hiroshima and Pearl Harbour as unavoidable counterpoints - "the bomb has landed in much of my work," says Makishi - they will develop a live project reflecting their shared fascinations with the parallels, ironies and complex histories of political, cultural and sexual relations between Japan and the U.S. www.stacymakishi.com&nbsp;</div>
<div><br /></div>
<div><i>Week 6 16-20 March - PRICK YOUR FINGER "Murder at the Wool Hall"&nbsp;</i></div>
<div><br /></div>
<div>Prick Your Finger is a yarn shop and textile gallery in Bethnal Green, London, that's putting the rock 'n' roll back into textile and fashion production. Run by Rachael Matthews and Louise Harries, Prick Your Finger is concerned that British textile production has been lost to unethical manufacturing of disposable fashion. By constructing the world's first bicycle powered wool mill, they will turn unwanted sheep fleeces from within the M25 into a range of seductive yarns, good enough for the Queen. "We're asking the world to listen to sensible ways of profiting from nature without exploitation." www.prickyourfinger.com&nbsp;</div>
<div><br /></div>
<div><i>Week 7 23-27 March - THE VACUUM CLEANER "What Difference Does it Make?"&nbsp;</i></div>
<div><br /></div>
<div>Fighting consumer culture, climate change, authority and injustice ("wherever it hides its filthy face") are the vacuum cleaner's bread and butter causes; Creative Resistance, Civil Disobedience, Corporate Interventions, Pranks, Hacktivism and Subvertising, their tools of choice. But with crisis dictating the agenda there has been little time to ask "What Difference Does It Make?" So for the first time the semi-notorious artist-activist will present some of the projects, actions and battles never clearly presented or documented before. Expect Resistance! Expect Anarchy! Expect Something! www.thevacuumcleaner.co.uk</div>]]>
        
    </content>
</entry>

<entry>
    <title>Rekindling the Radical Imagination   </title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2010/01/the-center-cannot-hold-rekindling-the-radical-imagination.php" />
    <id>tag:www.socialtextjournal.org,2010:/events//12.548</id>

    <published>2010-01-21T21:44:28Z</published>
    <updated>2010-02-16T13:31:33Z</updated>

    <summary>Each spring in New York City, Left Forum gathers intellectuals and activists from around the world to address the burning issues of our times. The theme for 2010 is &quot;The Center Cannot Hold: Rekindling the Radical Imagination.&quot; Find out more information, propose a panel, or register for the forum here.</summary>
    <author>
        <name>Admin</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=1</uri>
    </author>
    
        <category term="New York" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[<div><br /></div><b>March 19-21&nbsp;</b><div><b>Pace University&nbsp;</b></div><div><b>One Pace Plaza&nbsp;</b></div><div><b>New York, NY 10038&nbsp;</b></div><div><br /></div><div>Each spring in New York City, Left Forum gathers intellectuals and activists from around the world to address the burning issues of our times. The theme for 2010 is "The Center Cannot Hold: Rekindling the Radical Imagination."&nbsp;</div><div><br /></div><div>The ongoing capitalist crisis generated high hopes that the parties and social movements of the Left, both in the U.S. and elsewhere in the world, would be re-energized. So far this has not happened. The Left remains fractured and confused, drifting away from its labor base, while the Right seems to have emerged as the stronger or at least the more strident force. The result is that unemployment remains high, wages low, and insecurity grows. In the U.S., the Obama administration negotiates from the center, and concedes more and more to business interests and political conservatives. Can this be turned around? Can the hardships and opportunities generated by the capitalist crisis yet become the trigger for the revival of a transformative Left?&nbsp;</div><div><br /></div><div>Left Forum provides a unique space for the generation of ideas crucial to theorizing and building a resurgent Left. Last spring the Left Forum conference had over 200 panels, more than 600 speakers, 3,000 attendees, two international art shows, a film festival, and theater arts performances. This year the Forum will include participants from all corners of North America, as well as Asia, Africa, Europe, and Latin America. It will truly be a rare opportunity for a global left dialogue. Join us at the 2010 conference, this March at Pace.&nbsp;</div><div><br /></div><div>Register <a href="http://leftforum.org/node/23">here</a>. To propose a panel, please click <a href="http://leftforum.org/node/26">here</a>:submission deadline February 6th, 2010.</div>]]>
        
    </content>
</entry>

<entry>
    <title>Hazel Carby on Interdisciplinarity, 1 December 2009</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2009/11/hazel-carby-on-interdisciplinarity-12109.php" />
    <id>tag:www.socialtextjournal.org,2009:/events//12.415</id>

    <published>2009-11-19T14:18:40Z</published>
    <updated>2009-12-09T18:39:12Z</updated>

    <summary><![CDATA[December 1st 2009, Tuesday, 6:00 pm - 8:30 pm, Proshansky Auditorium, The Graduate Center, CUNY (34th Street &amp; 5th Avenue)The CUNY Provost's Annual Symposium on Disciplinarity brings together scholars in the humanities who examine disciplinary boundaries, canonical divides, and methodological...]]></summary>
    <author>
        <name>Ashley Dawson</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=8</uri>
    </author>
    
        <category term="New York" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="empire" label="empire" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="interdisciplinarity" label="interdisciplinarity" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="race" label="race" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[<span class="location"><strong>December 1st 2009,   Tuesday, 6:00 pm - 8:30 pm, Proshansky Auditorium, The Graduate Center, CUNY (34th Street &amp; 5th Avenue)<br /><br /></strong></span><span class="location">The CUNY Provost's Annual Symposium on Disciplinarity
brings together scholars in the humanities who examine disciplinary
boundaries, canonical divides, and methodological limitations and
anxieties to introduce fresh and innovative thinking in the academy and
beyond. The inaugural featured speaker is <strong>Hazel Carby</strong>, the
Charles C. and Dorothea S. Dilley Professor of African American
Studies, Professor of American Studies, and Director of the Initiative
on Race, Gender and Globalization at Yale University. Her books include
<em>Reconstructing   Womanhood</em>, <em>Race Men</em>,and <em>Cultures in Babylon</em>. Her current work in progress is <em>Child of Empire: Racializing Subjects in   Post WWII Britain</em>.
For the inaugural lecture, respondents will focus particularly on
interdisciplinarity as it pertains to the construction of race.</span> ]]>
        
    </content>
</entry>

<entry>
    <title>Panel Discussion and Book Party, 20 November 2009</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2009/11/panel-discussion-and-book-party.php" />
    <id>tag:www.socialtextjournal.org,2009:/events//12.406</id>

    <published>2009-11-13T15:23:47Z</published>
    <updated>2009-11-19T17:35:58Z</updated>

    <summary>November 20, 2009 Friday4 to 6 PMDepartment of Social and Cultural Analysis, NYU20 Cooper Square, 4th FloorPanel members:Event and panel host: Lisa Duggan (SCA, NYU)The Queer Child: Or Growing Sideways in the 20th Century (Series Q, Duke University Press) Kathryn...</summary>
    <author>
        <name>Admin</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=1</uri>
    </author>
    
        <category term="Book Launch" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="childhood" label="childhood" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="freemarket" label="free market" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="queerstudies" label="queer studies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="religiousright" label="religious right" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[<br /><b><font style="font-size: 1.25em;">November 20, 2009 Friday<br /></font></b>4 to 6 PM<br /><br />Department of Social and Cultural Analysis, NYU<br />20 Cooper Square, 4th Floor<br /><br /><font style="font-size: 1.25em;"><b>Panel members:<br /></b></font><br />Event and panel host: Lisa Duggan (SCA, NYU)<br /><br /><i>The Queer Child: Or Growing Sideways in the 20th Century </i>(Series Q, Duke University Press) <br />Kathryn Bond Stockton<br /><br />With comment by:&nbsp; <b>Jose MuÃ±oz</b> (Performance Studies, NYU)<br /><br />Children are thoroughly, shockingly queer, as Kathryn Bond Stockton explains in The Queer Child, where she examines children's strangeness, even some children's subliminal "gayness," in the twentieth century. Estranging, broadening, darkening forms of children emerge as this book illuminates the child queered by innocence, the child queered by color, the child queered by Freud, the child queered by money, and the grown homosexual metaphorically seen as a child (or as an animal), alongside the gay child. What might the notion of a "gay" child do to conceptions of the child? How might it outline the pain, closets, emotional labors, sexual motives, and sideways movements that attend all children, however we deny it?<br /><br /><b>Kathryn Bond Stockton</b> is Professor of English and Director of Gender Studies at the University of Utah. She is the author of Beautiful Bottom, Beautiful Shame: Where "Black" Meets "Queer," also published by Duke University Press, and God between Their Lips: Desire between Women in Irigaray, BrontÃ«, and Eliot.<br /><br /><i>To Serve God and Walmart: The Making of Christian Free Enterprise </i>(Harvard University Press) <br /><b>Bethany Moreton</b><br /><br />With comment by:&nbsp; <b>Nikhil Singh</b> (SCA/History, NYU)<br /><br />The world's largest corporation has grown to prominence in America's Sun Belt-the relatively recent seat of American radical agrarian populism-and amid a feverish antagonism to corporate monopoly. Moreton unearths the roots of the seeming anomaly of corporate populism, in a timely and penetrating analysis that situates the rise of Wal-Mart in a postwar confluence of forces, from federal redistribution of capital favoring the rural South and West to the family values symbolized by Sam Walton's largely white, rural, female workforce (the basis of a new economic and ideological niche), the New Christian Right's powerful probusiness and countercultural movement of the 1970s and '80s and its harnessing of electoral power. Giving Max Weber's Protestant ethic something of a late-20th-century update, Moreton shows how this confluence wedded Christianity to the free market. Moreton's erudition and clear prose elucidate much in the area of recent labor and political history, while capturing the centrality of movement cultures in the evolving face of American populism. (Publishers Weekly)<br /><br /><b>Bethany Moreton</b> is Assistant Professor of History and Women's Studies at the University of Georgia.<br /><br />Moderator: <b>Michael Cobb,</b> Prof. of English, University of Toronto<br /><br />For more information, <a href="http://sca.as.nyu.edu/object/stocktonmorton_sca_fall09">click here</a>&nbsp; <br /><i><br />Special thanks to our co-sponsors:<br /></i><br />Social and Cultural Analysis, NYU: American Studies; and Gender and Sexuality Studies<br />History Department, NYU<br />Performance Studies, NYU<br />Center for the Study of Gender and Sexuality, NYU<br /><br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Paint the Town Rouge, 17 November 2009</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2009/11/paint-the-town-rouge.php" />
    <id>tag:www.socialtextjournal.org,2009:/events//12.405</id>

    <published>2009-11-13T15:10:50Z</published>
    <updated>2009-12-09T18:43:14Z</updated>

    <summary>Save the date!OR Booksinvites you toPAINT THE TOWN ROUGE!A party to celebrate the publication ofGOING ROUGESarah Palin -- An American NightmareEdited by Richard Kim and Betsy ReedTuesday November 17th, 20097 till 10 pmThe Gates290 Eight Avenue(between 24th and 25th Streets)Chelsea...</summary>
    <author>
        <name>Richard Kim</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=53</uri>
    </author>
    
        <category term="Book Launch" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="politics" label="politics" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="republicanparty" label="republican party" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[<br /><b><font style="font-size: 1.25em;">Save the date!<br /></font></b><br />OR Books<br /><br />invites you to<br /><br /><font style="font-size: 1.25em;"><b><font color="DC143C">PAINT THE TOWN ROUGE!</font></b><font color="DC143C"></font><br /></font><br />A party to celebrate the publication of<br /><br />GOING ROUGE<br />Sarah Palin -- An American Nightmare<br />Edited by <a href="http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=53">Richard Kim</a> and Betsy Reed<br /><br />Tuesday November 17th, 2009<br />7 till 10 pm<br /><br />The Gates<br />290 Eight Avenue<br />(between 24th and 25th Streets)<br />Chelsea <br />NYC<br /><br />RSVP info@orbooks.com<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>30th Anniversary Soiree - WIP</title>
    <link rel="alternate" type="text/html" href="http://www.socialtextjournal.org/events/2009/11/30th-anniversary-soiree.php" />
    <id>tag:www.socialtextjournal.org,2009:/events//12.389</id>

    <published>2009-11-09T15:10:26Z</published>
    <updated>2010-06-03T17:17:41Z</updated>

    <summary>On Friday, November 13, 2009, Social Text celebrated its 30th anniversary and the recent publication of our 100th issue. More details here.</summary>
    <author>
        <name>Social Text Collective</name>
        <uri>http://www.socialtextjournal.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=12&amp;id=74</uri>
    </author>
    
        <category term="New York" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://www.socialtextjournal.org/events/">
        <![CDATA[<font style="font-size: 1.25em;"><br /><b>Friday, November 13, 2009<br /></b></font><p><br /></p><p>Please join us as we celebrate 30 years of Social Text, the recent
publication of our 100th issue, and the launch of our new website <a href="http://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=1150+Amsterdam+Avenue,+new+york,+ny&amp;sll=52.500085,13.431754&amp;sspn=0.006375,0.016007&amp;ie=UTF8&amp;hq=&amp;hnear=1150+Amsterdam+Ave,+New+York,+10027&amp;ll=40.808304,-73.960969&amp;spn=0.007926,0.016007&amp;z=16&amp;iwloc=A">www.socialtextjournal.org</a><br /></p><p><b>Location<br /></b>Philosophy Hall, Room 301<br />Columbia University<br /><a href="http://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=1150+Amsterdam+Avenue,+new+york,+ny&amp;sll=52.500085,13.431754&amp;sspn=0.006375,0.016007&amp;ie=UTF8&amp;hq=&amp;hnear=1150+Amsterdam+Ave,+New+York,+10027&amp;ll=40.808304,-73.960969&amp;spn=0.007926,0.016007&amp;z=16&amp;iwloc=A">1150 Amsterdam Avenue</a><br /><br /><b>4:00 - 5:00 PM</b></p><p><b>Roundtable Discussion<br /></b></p><p>Lisa Duggan<br /></p><p>Jean Franco<br /></p><p>Fred Moten<br /></p><p>Gyan Prakash</p><p><br /><b>5:30 - 7:30 PM</b><br /></p><p>Reception</p><p style="text-align: center;"><br /></p><p><img alt="IMG_0143.jpg" src="http://www.socialtextjournal.org/events/IMG_0143.jpg" width="500" height="330" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p><p style="text-align: center;">Collective Members JosÃ© MuÃ±oz, Guest Speaker Lisa Duggan, and Tavia Nyong'o</p><p style="text-align: center;"><br /></p>
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    </content>
</entry>

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